A Quote by Jim Lee

Costumes are all about identifying which force in a conflict you're on. That's where banners and flags came from - so people rushing into battle knew who to follow and who was on their side.
On the field of battle, the spoken word does not carry far enough; hence the institution of gongs and drums... banners and flags. Gongs and drums, banners and flags, are means whereby the ears and eyes of the host may be focused on one particular point.
So let us decide whether you want a shelter, a safety zone, which will no longer yield conflict, whether you want to escape from the present conflict to enter a condition in which there shall be no conflict; or whether you are unaware, unconscious of this conflict in which you exist. If you are unconscious of the conflict, that is, the battle that is taking place between that self and the environment, if you are unconscious of that battle, then why do you seek further remedies? Remain unconscious.
If there is disturbance in the camp, the general's authority is weak. If the banners and flags are shifted about, sedition is afoot. If the officers are angry, it means that the men are weary.
When you have a conflict, that means that there are truths that have to be addressed on each side of the conflict. And when you have a conflict, then it's an educational process to try to resolve the conflict. And to resolve that, you have to get people on both sides of the conflict involved so that they can dialogue.
Children are a battle of a different sort. ... A battle without banners or warhorns but no less fierce.
My advice is: 1. Be judicious in the use of military force. 2. When military force is required, use overwhelming force. 3. Do not micromanage military leaders. 4. Ensure your battle plans will win the conflict and win the peace.
My final words of advice to you are educate, agitate and organize; have faith in yourself. With justice on our side I do not see how we can loose our battle. The battle to me is a matter of joy. The battle is in the fullest sense spiritual. There is nothing material or social in it. For ours is a battle not for wealth or for power. It is battle for freedom. It is the battle of reclamation of human personality.
It's really a situation [ Donald Trump's children are involved now in choosing the next government] that no other president had in years and years. He clearly is not going to follow the idea that - generally there is no rule that requires this but there generally is a situation which people are required to put their interests to the side so they don't have a conflict.
The journey matters as much as the destination. By engaging in the moment on set, I've stopped rushing and now find pleasure in the collaborative process - the characters, the costumes - rather than worrying about the finished product.
It is impossible for a Die, with such determined force and direction which makes it fall on such a determined side, only I don't know the force and direction which makes it fall on such a determin'd side, and therefore I call that Chance, which is nothing, but want of Art.
It is sometimes frightening to observe the success which comes even to the outlaw with a polished technique, and we find ourselves doubting the validity of the virtues we have been taught. But I believe we must reckon with character in the end, for it is as potent a force in world conflict as it is in our own domestic affairs. It strikes the last blow in any battle.
I think it's a lot easier to tell a war story about two sides of a conflict with one another as opposed to one side in conflict with itself.
I think I sort of realized it was an international thing when we went to South Korea for The Fast [and the Furious] 6 premiere. We knew nothing about South Korea, and we came through the sliding doors [at the airport] with my luggage and there were like 60 fans with Luketeer banners: "We're your Korea Luketeers." It was like, wow, this is amazing.
I ignore polling as a method of government. I think that shows a certain weakness of mind - an inability to chart a course whichever way the wind blows, whichever way the media encourages the people to go, you follow. If you can't force or are unwilling to force your people to follow you, with or without threats, you are not a leader.
The American culture is pursue your own happiness, follow your dreams. The Chinese side is sacrifice everything for your family; it's all about the group. Those conflicting ideas were always a battle in my head.
The first time I encountered Stephen Sondheim was like everyone else: through snatches of old songs people performed in drama school, through 'Send in the Clowns,' which everyone knew. I wasn't aware at the time that he was the writing force behind 'West Side Story' and 'Gypsy.'
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