A Quote by Jim Lee
When I was a kid, I never felt that what I was drawing really represented me; it was just something I enjoyed.
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I'm a regular person. I'm a regular guy. As a kid, I played games. As a kid, I liked poetry. As a kid, I liked drawing. And I never felt the need to stop doing anything. I never lost interest in them.
I really don't care about birthdays. It's something where even as a kid, I never really felt comfortable when someone would sing to me.
It's something I've enjoyed since being a kid, the fantasy of it, the imagining I'm someone other than who I am. I've always felt claustrophobic in one sense of identity. If anything, I've had to work to develop a sense of my own identity. I used to really hate it when people defined me.
My father's NFL dreams never really felt like motivation to me, but it was something to aspire to. He was such a great athlete, the least I could do is try and use my athletic talent to represent my country in a different way. He represented as a Marine. Maybe I could do something to represent as an athlete.
Back in the day as a kid, I was really drawn to the Hulk because it just felt so human and was probably one of the first stories that I felt emotionally invested in and not just thought it was really cool. You really feel for that person and put yourself in that situation.
I was a lonely, frightened little fat kid who felt there was something deeply wrong with me because I didn't feel like I was the gender I'd been assigned. I felt there was something wrong with me, something sick and twisted inside me, something very very bad about me. And everything I read backed that up.
I never fit in as a kid. I always felt that there was something different about me.
I loved 'The Secret of NIMH.' When that came out, it felt like, 'Wow, this is something really, really new.' It looked like a Disney film, but it felt very cutting edge to me. To a twelve-year-old kid, it seemed very inspiring.
I've felt that in the past, where I just felt like I had to keep drawing in the same way to maintain this sameness and rhythm throughout an entire book, and it was not really necessary.
I've never been truly closeted on the air; it's just something I never really made a big deal out of because I never felt like I wanted to push an agenda or push it any further than I felt comfortable with.
I am trying to represent design through drawing. I have always drawn things to a high degree of detail. That is not an ideological position I hold on drawing but is rather an expression of my desire to design and by extension to build. This has often been mistaken as a fetish I have for drawing: of drawing for drawing’s sake, for the love of drawing. Never. Never. Yes, I love making a beautiful, well-crafted drawing, but I love it only because of the amount of information a precise drawing provides
Twitch is something I never thought I'd enjoy and I never saw myself doing. But actually I really enjoyed it. For the people that follow me, I think it's the closest you can get to the real me.
Having listened to great songwriters like James Taylor and Carole King, I felt there was nothing new that was coming out that really represented me and the way I felt. So I started writing my own stuff.
Films were really my church. As a young kid, it was movies and books; it was nothing remarkable, really, just that is where I felt soothed, that is where I felt most myself... safest.
When I was a kid, I liked the newer music that was coming out. I have never really felt confined by any style of music. I would play in bands that were soul bands or that played standards - any kind of music that I enjoyed playing.
The movies I used to watch, I remember always being so angry because I felt like I, as a teenage girl, was never truly represented in a film. There were always bits of me that were represented - I'd watch 'Juno' and be like, 'Oh, well part of me is like that, but it's still not the whole thing.'
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