A Quote by Jim Lee

The thing that weighs the most on how your final artwork turns out is the amount of time you have and the speed at which you can move. — © Jim Lee
The thing that weighs the most on how your final artwork turns out is the amount of time you have and the speed at which you can move.
Whenever I work on an album and the time comes to do all the artwork, the only thing I think of is the LP artwork. When we worked on the 'Electric Trim' artwork, we spent weeks and weeks making the LP artwork great, and then the CD artwork came together in a day or two. The LP is what's important to me.
When you are on assignment, film is the least expensive thing in a very practical sense. Your time, the person's time, turns out to be the most valuable thing.
There's generally no good reason why others should care about most of any one artist's work. The function of the overwhelming majority of your artwork is simply to teach you how to make the small fraction of your artwork that soars.
It's the right thing to do to help out and give your time, I think that's something that everybody's got the same amount of time and it's, how do you use that time.
You could stand here sick with ten illnesses today, and tomorrow have no evidence of any of them. Your body has the ability to replenish itself that fast. But most of you do not have the ability to change your thoughts that fast. So the amount of time that it takes between sickness and wellness is only the amount of time that it takes for me to figure out how to let it in - for me to figure out how to feel good, when I'm looking at something that makes me feel bad.
You don't always have to go so far as to murder your darlings – those turns of phrase or images of which you felt extra proud when they appeared on the page – but go back and look at them with a very beady eye. Almost always it turns out that they'd be better dead. (Not every little twinge of satisfaction is suspect – it's the ones which amount to a sort of smug glee you must watch out for.
In a sense, the artwork is the most important thing in getting somebody to buy a book. The person probably won't buy a book if he doesn't like the artwork. Once you buy it for the artwork, you hope that the story will also be good.
Who you get, and how it works out - there's so much luck involved, as well as the million branching consequences of your conscious choice of a mate, that no one and no amount of talking can untangle it if it turns out unhappily.
Unfortunately, The End of Nature turns out to be correct, although I wish it were not so. The only places that I was incorrect was, as with environmental science at the time, the estimation of the speed at which we see the effects of global warming.
If you have to choose between power and speed and it often turns out you have to make that choice, you've got to go for speed.
If your life turns out to be good and you have a tremendous amount of luck in your life, it's a good thing to turn around and make it work for others.
The pitch, timbre, volume, speed, and cadence of your voice, the speed with which you speak, and even the way you modulate pitch and loudness, are all hugely influential factors in how convincing you are and how people judge your state of mind and character.
I consciously memorized the speed at which every pitcher in the league threw his fastball, curve, and slider. Then, I'd pick up the speed of the ball in the first 30 feet of its flight and knew how it would move once it has crossed the plate.
I consciously memorized the speed at which every pitcher in the league threw his fastball, curve, and slider; then, I'd pick up the speed of the ball in the first thirty feet of its flight and knew how it would move once it had crossed the plate.
Don't do speed, speed turns you in to your parents.
I know what it's like to squander all your hours and all your tears and all your heart on something which turns out to be nothing. Don't waste your time.
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