A Quote by Jim Lee
Once I started down the path of co-founding Image Comics, and even co-publisher, it just seems a lot more like a career path that isn't that atypical for someone with a college degree. Whereas, someone who draws comic books as a freelancer and lives from job to job is a more unusual story.
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I know someone might look at a creative person's job and think it's pretty fun. It is. It's the best thing in the world, but it's also extremely challenging to carve out your own completely unique path and not following a default path that someone else has already paved.
The image of me as someone who likes or can deal with a fight is wrong. Some people enjoy competition and dustups, and I wish I did, but I don't. But once you have started down a path, then I think you have to move forward. You can't give up.
I never took a path that was the usual path for someone in my generation. A lot of the women who I went to school with, in those days, it was still the track of becoming a teacher, becoming a nurse. Nothing wrong with that, of course, but I didn't go down that path.
If I were to be a role model, it would just come out of going the college route, getting training, and trusting that's the most secure path you can take - a path where a degree is involved. You know you went to college, and you have that under your belt.
'Comic book' has come to mean a specific genre, not a story form, in people's minds. So someone will call 'Die Hard' a 'comic-book movie,' when it has nothing to do with comic books. I'd rather have comics be the vehicle by which stories are told.
"Comic book" has come to mean a specific genre, not a story form, in people's minds. So someone will call Die Hard "a comic-book movie," when it has nothing to do with comic books. I'd rather have comics be the vehicle by which stories are told.
A really large percentage of kids from Duke go to work on Wall Street, and they make a lot of money, but they're almost slaves to their jobs, working crazy hours. Their job totally dominates their lives, and most of them aren't happy. So many of my friends are going down that path. I even thought about it for a second, like "Should I be doing that?" But I just pursued my dreams instead, and I always tell people to do that. Now I make more money than they do, and I'm doing what I love.
The first time I shopped at a comic shop, it was because I had been published in a comic book. As I became more involved in comics, I started going more and more, usually to support my friends or lady-friendly comics.
You enter the forest at the darkest point, where there is no path. Where there is a way or path, it is someone else's path. You are not on your own path. If you follow someone else's way, you are not going to realize your potential.
Whether you are someone who has been working for many years, or someone just starting down that path, or someone who is still studying, your journey to financial well-being is not far from where you are now.
Writing a story is like going down a path in the woods. You follow the path. You don't worry about getting lost. You just go.
I only worked on that one movie, but then quickly realized that the path of being an assistant director was not gonna get me to producing. It's a different path coming up through production management and then line producing. So I basically was in the position where I was going to take any job that felt creative, like the one I got, which was reading scripts and writing coverage. So even though I was taking a job where I was making less money than the job immediately prior, it seemed like the right thing for me.
I was going to college for broadcast journalism because I knew whatever career path I would take, I knew I wanted to be talking to as many people as possible and inspiring as many people as possible, particularly girls. When I was in college, I was like, 'I know I'm going to be on camera a lot when I'm older if I fall into my dream job.'
A career path is rarely a path at all. A more interesting life is usual a more crooked, winding path of missteps, luck and vigorous work. It is almost always a clumsy balance between the things you try to make happen and the things that happen to you.
Amazingly, much of the best cartoon work was done early on in the medium's history. The early cartoonists, with no path before them, produced work of such sophistication, wit, and beauty that it increasingly seems to me that cartoon evolution is working backward. Comic strips are moving toward a primordial goo rather than away from it . . . Not only can comics be more than we're getting today. but the comics already have been more than we're getting today.
I wasn't one of those kids who grew up wanting to write or who read a particular book and thought: 'I want to do that!' I always told stories and wrote them down, but I never thought writing was a career path, even though, clearly, someone was writing the books and newspapers and magazines.
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