A Quote by Jim Leyland
I knew we were in for a long season when we lined up for the national anthem on opening day and one of my players said, 'Every time I hear that song I have a bad game.'
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We probably haven't seen the variety and diversity of threats to Americans' safety and well-being and our national security in a long, long time. Some have said it almost makes you yearn for the Cold War days when you knew who the bad guys were and who the good guys were, and there was a wall dividing us.
You hear all the time about European players playing the game. These players that come over at 17, 18 and 19, they just don't all of a sudden become skilled. From the time they were little fellas, they learned the fundamentals of the game. Let them create.
I sang the National Anthem at Dodger Stadium - at a baseball game - which was crazy; there was, like, 60,000 people there, which is a huge deal in America - singing the National Anthem.
We played 63 games in the treble-winning season of 1999, and I cannot remember feeling tired once. We won the league title with the last game of the season, and along the way, we knew that in any game we could miss out on this chance of a lifetime to win all three. We had 22 players who were ready to be called on at any moment.
I thought Denver and Seattle was a big game but Houston and Dallas is the kind of game that as players, we want to play in. I haven’t missed playing in the National Football League, but every year there are one or two games that makes me wish I could tee it up in that game one more time.
I really did not think a thing about playing five black players to start the game; they were our best players and deserved to start. But if I knew all the misery it was going to cause me in the weeks following the game, I'd have thought long and hard about it. The players from Kentucky were gracious about it, but many of their fans and people from other parts of the country did not want to see it.
We've been doing work outside of the anthem since the beginning. Before the anthem even started, players were involved in these types of social justice issues. The anthem protests or demonstrations just brought eyes and attention to it.
I wanna hear it, I wanna hear it from each and every one of you. I wanna hear it from the kids, the men, the women. I wanna hear it from every single person in this arena. I want you to stand up out of your seat, I want you to get up and do what you should have done a long time ago! I want you to admit that you were wrong! All of you! You all were wrong! Each and every single one of you! I made it!
I had so much backlash because, before in NXT, I used to come out with the Bulgarian national anthem. And people were like, 'Oh, why are you embarrassing the anthem?' How am I embarrassing the anthem? I'm from the freaking country.
There's a time in everyone's career where you go, 'Ah, this is hard - how long am I going to have to do this?' But the rewards are so great. Who gets to go on the podium and hear the national anthem? The whole nation singing! Money can't buy you that.
Titled players appeared to be trotting out game after game in which the same old hoary opening sequences, memorized out to fifteen, twenty, or even more moves, were repeated endlessly. True novelties were becoming scarcer, and sometimes these 'opening' novelties didn't appear until well into the middlegame. (A master-level friend once proudly showed me a novelty he'd discovered at move twenty-seven of a very well-trodden chess opening, and it's said that even as far back as the 1950's Mikhail Botvinnik had some openings memorised past the thirtieth move).
In my head I actually think my songs are pop songs. I think, Damn, that's a pop song! I can practice in front of the mirror with my hairbrush for as long as I want to. But when it finally comes out, it sounds avant-garde to people. Right up until then, though, I think, "Of course everybody feels this way. This song's the same as the Greek national anthem."
In football there for a long time, I knew even if it was a bad day, a bad day at the office, it was still going to be really good in most cases.
Every day somebody comes up to me and says, 'That song really helped me through a difficult time,' or 'That's me and my wife's song' or 'This song means something to me because of... ' It's humbling to hear that. You're something special in someone's life, even if it is for three minutes.
But I saw this video, not even the whole thing, and I just knew that it was going to be my favorite song for...for the rest of my life. And it still is. It's still my favorite song... Lincoln, I said you were cute because I didn't know how to say--because I didn't think I was allowed to say--anything else. But every time I saw you, I felt like I did the first time I heard that song.
The radio was on and that was the first time I heard that song, the one I hate. Whenever I hear it all I can think of is that very day riding in the front seat with Lucy leaning against me and the smell of Juicy Fruit making me want to throw up. How can a song do that? Be like a net that catches a whole entire day, even a day whose guts you hate? You hear it and all of a sudden everything comes hanging back in front of you, all tangled up in that music.
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