A Quote by Jim McKelvey
It's hard to shape glass. It took me years of practice, and as a result, I've never gotten bored with it. It's difficult. Every time I come into the studio, I've got some sort of new challenge. And something that I would like to learn how to do better, and the material never disappoints me.
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There's not millions of dollars riding behind something - so I think a lot of people took chances on me and cast me in roles in Chicago that I never would have gotten cast in possibly if I had come to New York right away. I got to be the not-your-typical-choice for a role.
I think it took me a little while to be true to myself as a designer, and in some ways I'm still trying to do that. I have to choose things that come naturally to me. Whenever I challenge something too much or try too hard, it never quite works out.
I'm the type of person that doesn't like to wait for people to do things for me, and I never want to feel stuck. Why sit around and be like, 'I wish my label would book me some studio time,' if I can just buy my own studio equipment and figure out how to run Pro Tools and record it myself?
How is education supposed to make me feel smarter? Besides, every time I learn something new, it pushes some old stuff out of my brain. Remember when I took that home winemaking course, and I forgot how to drive?
Sometimes people let the same problem make them miserable for years when they could just say, "So what." "My mother didn't love me." So what. "My husband won't ball me. So what. "I'm a success but I'm still alone." So what. I don't know how I made it through all the years before I learned how to do that trick. It took a long time for me to learn it, but once you do, you never forget.
I've never changed my approach to acting. I've always felt like I've gotten better. I think that all of us can get better. I feel like, in my acting, I'm better than I was three pictures ago. I think about it. I'm a slow study. It takes me a long time to grasp the material, in order to perform it. But when I come to the set, on the first day, I know the whole movie. That's why I have to start early.
Now is the chance for me to let go and release some new Nephilim tracks which have been constrained to the studio for some time. Trying to concentrate the work and thoughts down to a simple single objective is always a difficult practice but that's the nature of the beast... easy to find the beginning but always hard to reach the end
You know how hard it's been to write material? Because to do stand-up comedy, it takes time for the material to develop. So you'll come up with a joke, you'll tweak it, you'll work it for six months, you really fine tune it, and now you've got a good bit. Well, with Trump, every day there's something new coming out.
You either like me or you don't. It took me twenty-something years to learn how to love myself, I don't have that kinda time to convince somebody else.
I have a bad tendency to get rapidly bored with my own material, so rewriting is hard for me. I mean, I already know the story and would rather read something new.
I function better in the jungle in Amazonia or Antarctica or Alaska or the Sahara desert. An artificial environment like a studio has never attracted me. I could work in a studio, but I would never really feel at home.
I think just what my parents instilled in me was hard work and being able to always go out there and focus and be 100%. I took that work ethic into the NFL and everyday I always gave 100% and never wanted anything to be handed to me. I wanted to earn it. And every time I stepped on that football field during practice I wanted to leave that football field with learning something about what the practice was about for me that day...
'Beyond the Lights' took incredible fight to get made. Four years of writing and two years of overcoming 'no.' Every studio balked. Twice. But I kept fighting. What gave me the courage was 'Love & Basketball.' Every studio turned down that film, too. But I never gave up because I believed in it with my whole heart and soul.
The first year was hard for me to deal with. The second year was a little bit easier, but still difficult. It took me five years to get it out of me. It was a difficult moment, a difficult time.
A period romance film with elements of horror. That was successful, because I feel like Coppola's DRACULA was one or the other. You know? It was never scary it was never a film he got invested in the romance of the characters. He understood it, but he never got invested. So it as a challenge for me to see if I could do that, I still don't know how audiences will sort of react to that.
Every time I went into the studio some engineer tried to impress me with how they're going to capture my sound with all kinds of tricks. But they limited the sound and never allowed me to play how I felt.
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