A Quote by Jim Moran

I've been doing everything I can to reach out and understand why people voted against me. They were trying to send a message. I have to be more sensitive in the way I express myself, and I have to be more thoughtful in the positions I take.
The private Prince Philip - the inner man - was infinitely more difficult to reach. He was more sensitive, more thoughtful and more tolerant than you'd expect, but he kept these qualities hidden.
Great communicators have an appreciation for positioning. They understand the people they're trying to reach and what they can and can't hear. They send their message in through an open door rather than trying to push it through a wall.
It would be nice if everybody were a little bit more mindful of what kind of product you're putting out there. Nothing's for everybody. People are liked and disliked, but at least be mindful of what you're doing and what your message is, and trying to stay true to your authenticity and what you're trying to attain or what your goals are, and don't let anybody get in the way of that. At the same time, have a goal, and have a message.
I've been trying to learn how to not be so conflicted about things like my own anger. I've always had a place in my music for my anger as a way of compensating for not having a mechanism to express it in my everyday life. So I've been trying to be more true to myself, and that helps me to chill out a little bit. But politically, uh-uh. No.
I'm a conservative. I believe in the idea of freedom and liberty, but more importantly, look at my voting background. I voted against bailing out Wall Street. I voted against, never voted for, a tax increase.
Like, the idea that I had to spend the rest of my life behind a desk and not be able to express myself the way I wanted to express myself. To me, that is torture. I mean if people out there that do love that then more love to them, but it just wasn't for me.
I want deeper connections with the people around me. I need to reach out more. Because not everyone leaves. Sometimes if you reach out, the person you’re trying to reach will be right there waiting.
In school, I learned about artists and how they were free to express themselves. I was allergic to conformity, and the lifestyle attracted me. I wanted to express myself in a way that slammed people up against the wall.
I surf more now for other people than myself. I feel a lot of support from people wanting me to do well, and I feed off that. I can send a positive message to people from what I do.
If churches saw their mission in the same way, there is no telling what might happen. What if people were invited to come tell what they already know of God instead of to learn what they are supposed to believe? What if they were blessed for what they are doing in the world instead of chastened for not doing more at church? What if church felt more like a way station than a destination? What if the church’s job were to move people out the door instead of trying to keep them in, by convincing them that God needed them more in the world than in the church?
People ask, 'Why would you cast yourself in your movie?' And, for me, it's more like an achievement that I am now not playing all the parts, you know? Like I was for so long, in all my performances and a lot of my short movies. So, that's where I'm coming from, not out of a kind of actress-y sense of myself. I mean, I don't really see myself as an actress, but more from performance: this is how you make something. You do it yourself. You're in it and you write it. I think I keep doing it that way, 'cause it's my way. It's what makes me feel like I know how to do it.
A sensitive person receives fifty impressions where somebody else may only get seven. Sensitive people are so vulnerable; they're so easily brutalized and hurt just because they are sensitive. The more sensitive you are, the more certain you are to be brutalized, develop scabs.Analysis helps. It helped me. But still, the last eight, nine years I've been pretty messed up, a mess pretty much.
I always say, thank god I have this job or I don't know what I'd be doing. It'd be sad. I've always felt like I have been trying to brand a world for a quite a long time. You know what though, I feel no different. I feel like I'm doing the exact same thing I did in high school. Only I have more people helping me out now. And we have to take it all the way.
I try to attach myself to people who really inspire me, and directors who are really passionate. That way, I can give myself more fully and trust the impulse behind why the film is being made, and I can be a little more irresponsible in finding out what the character is.
Music feels like therapy, actually. A lot of people come out of a therapy session and feel like a weight has been lifted - I got it out, I cried, I feel good. I think for me this is just my way of doing that. It's the only avenue I have that fulfills that, that makes me feel good about myself. And I don't mean that in regards to the rewards, or like getting some good review. That's not what it's about. It's more about trying to please myself. It's really sick and weird.
These people looked Japanese, were originally Japanese, were numerous. We had no way of knowing to what extent they had been infiltrated. To their great credit, it seems not to have been very much at all. But I can understand why. And I rather respect Eleanor for standing out against the tide at that point. But it certainly was a tide. And I'm not going to say it was unjustified.
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