A Quote by Jim Nabors
I had a liver transplant, then I had a pacemaker put in, then I had a new knee put it, then I had a heart valve put in. I'm almost brand new. I have a lot of new parts.
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Everything I learned and didn't do in New York I would put into place here in the London West Hollywood. It's fascinating, when you look at the critics' reviews, and we had a great one in the New York Observer and all that, and then the New York Times came and it was a devastation; two stars out of four. They said that I played safe because it wasn't fireworks. Then they judged the persona over the substance that was on the plate.
I was introduced to the Turducken in New Orleans. And it wasn't Thanksgiving. Glenn at the Gourmet Butcher Block brought it by, and I had never heard of it or had seen one, and they put it in the booth, and it smelled so good that I had to taste it. And it was good. Then Thanksgiving came, and we got one in addition to the traditional turkey.
I had just been doing graffiti around New York and this real estate investor guy had walked through meat packing in New York and saw some of my graffiti. He was impressed and asked if I sold canvases. I really had not made any canvases of my graffiti work yet, but told him I could make one for him. He then commissioned me to make ten paintings and put on my first art show. Between the sold out show and the cops chasing after me it created a lot of media and I've been doing really well since then.
I had a disc giving me a lot of trouble, and I had four surgeries. Then I had a staph infection, so they had to open me up five times in four months... It was in the bottom of my back, the same incision. They should have put a zipper on it.
In real life, my son had a little injury a couple of years ago where we had moved into a new house and he put his hand through a glass window and it cut him really badly. Thank god he had surgery and repaired everything, but I remember I felt frozen I was so scared, and then I realized I was holding my hand just because his hand was hurt.
There's a lot of things that I think you got to deal with. Hillary Clinton had to put down a rebellion in her own party, then she's going to have to put down the [Donald] Trump rebellion and then try to govern.
Nothing had been attempted like that, to lift Dad's voice, literally, off of that track and put it on a brand-new one, and then line it up, match it up, get the phrasing right. I remember listening - everyone listening at the end, and we were just enthralled. It was really wonderful.
I had two cups of coffee, put Eric's jeans in the washer, read a romance for awhile, and studied my brand-new Word of the Day calendar, a Christmas gift from Arlene. My first word of the New Year was 'exsanguinate.' This was probably not a good omen.
I started at HSN in May of 2006, and by October, we had rolled out a new brand image, a new tagline, a new vision statement, a new customer manifesto, and new advertising.
This is a year and a few months after the transplant. Before I had it my doctors told me that it would be the biggest thing that I ever had to face and believe me, when they take your liver out of ya and put another one in it's like replacing a football in your stomach.
After 9/11, we had this "terrorist-Muslim-threat" in the US but at the same time, next to that, in Holland we had this growing awareness that the so-called integration of new Dutch people, a lot of those that had come to live and work in our country originated from countries such as Turkey and Morocco, and a lot of them are actually Muslim, wasn't quite the success the state always had thought it was. The "new" Dutch didn't feel totally accepted, treated as second-rate citizens, and parts of the "old" Dutch suddenly believed that the new ones were trying to destroy our society.
Places I've lived since then had to have some kind of uniqueness and character about them. And logically Key West, and then Down Island. So, all of that stuff sort of had it's roots in New Orleans and went crazy.
When I first had kids, I had a suitcase under my bed that I didn't even put away, and I was excited about going to all of these new places all of the time.
I was born in New York, then I went to the UK, then I went to Brazil, then I went to France, then I studied in Italy. My life was always about being confronted with an environment where you had to adapt.
I was always interested in music, I felt it was time to do it, coming out of the punk scene [1979]. I thought it was ideal that anyone could just put together a group and make it work. Then, of course, it became a little more detailed after starting it and realizing that it was something serious, not just a one-off situation. I had to put a lot more into it. Also I did it to get a lot of things out of my system, things that had been put there while I was growing up in my family. A sort of exorcizing of demons.
We actually tried to put in [Kung Fu Panda 3] all the things we wanted to put into the first two films. We're all the same people who've been working on the other films and we all had things we couldn't do, and had to leave on the table. We just couldn't achieve them before. This time we have multiple new environments and different styles of animation.
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