A Quote by Jim Nantz
People think I can just walk out and shoot 75 without taking a warm-up shot. But believe me, it's not that easy.
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Do you think it's easy to just walk up to Joe DiMaggio and start up a
conversation? I've been around him at old-timers' games, and believe me, he's
someone special. It's not easy to walk over and say, 'How ya doin', Joe, whaddya
say?' You really feel as though this is the one old-timer you have to call
Mister.
If I walk out onstage and I get a warm, excited response, it makes me feel so confident and happy, and then it's so easy for me up there.
Microsoft Research has a thing called the Sense Cam that, as you walk around, it's taking photos all the time. And the software will filter and find the ones that are interesting without having to think, 'Let's get out the camera and get that shot.' You just have that, and software helps you pick what you want.
It was once people began taking my picture every time I left the house - because it's an easy fashion shot - that I started getting a bit weirder about going out without any makeup on, and I think that's when I started wearing foundation every day.
Usually, when you do a period movie, you just recreate what you are shooting. You don't recreate the way you shoot it. I think I did the same thing here as I did in the OSS 117 movies. I recreated the way to shoot that period, because to me, like what I was saying about the Steadicam, there's no sense to do a Steadicam shot in the 1920s because you have never seen the '20s like that. You can't believe there was a Steadicam in the 1920s. I believe it's a continuation of the OSS 117 in a way but without the irony.
Awesome! I'd just bullied Jesus into doing a shot with me. Nobody would ever believe it, but I didn't care. We ordered the insanely expensive stuff, seventy-five dollars for a 1.75-ounce pour of premium Irish whiskey, because if you're doing a shot with Jesus, you don't buy him scotch.
I think it's really difficult to justify converting a film that wasn't shot in 3-D into 3-D. I really do believe, as does James Cameron and all the people who are actually pro-3-D, that you have to go out and shoot it that way. You have nothing but compromise if you don't.
A lot of guys can shoot two, three, four, five, six, seven, 10 feet behind the 3-point line. A lot of people can do it. It's just, when is it going to be considered a good shot? When are coaches going to encourage you to shoot that shot?
You go through slumps. The shot feels good in practice and looks good and for whatever reason in the game, they're in and out. Sometimes it gets frustrating, but for me, I've played in the league long enough to know you just have to put in the work in practice and shoot with confidence, shoot your way out of it.
When I came into the NBA, coaches wanted you to shoot a midrange shot or two before you shot your 3 - you know, to get an 'easy one' first.
Who shot you?" For a moment he looked annoyed. "I fail to see what that's got to do with anything. Reading assures me that anyone who's ever met me would have reason to shoot me, so I must admit with all candor that I have no idea. Was it you?" "If I'd shot you I wouldn't have missed," she said. "Was that wishful thinking or are you in fact a practiced shot?" "Desire would have made up for lack of expertise.
The most difficult thing with a new shot is if you go two or three games without making it, or you struggle, and people start saying, 'You can't shoot 3s,' or, 'Why do you shoot 3s?'
The night I turned twenty-two, I drank a shot for every year. I was so drunk, I'd just walk up to people in the bar and hit them in the balls. My friends drove me home and left me propped up on the couch holding a bucket. I woke up with vomit all over me. The bucket was clean as a whistle.
When I do stand-up around the country, I often see people walk out. This is a show that they've purposely gone to, where my name is on the ticket, and it cost them $75 or something. So, you think, Wow, that means that they either didn't know very much about me when they bought their tickets or they're that offended by what I've said. I've been doing this a long time. Anybody who comes to one of my shows must sort of have an idea of where I'm coming from.
For most people, it's easy when you're in front of the TV. It is easy - just look at the goalkeeper jump to his left so why don't you shoot to the right? Yeah, I can shoot to the right but, on my mind, was the left and the goalkeeper saved it! It can happen! But the most important thing, for me, is to keep scoring.
I think not being a professional photographer was actually a blessing, because it allowed me to shoot things professional photographers wouldn't shoot, or wouldn't try or attempt to shoot without lights. So I did all my stuff natural and without lights.
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