A Quote by Jim Nantz

I wanted to work for CBS because I loved the way CBS broadcast the Masters and I loved the way CBS presented the NFL. I loved the voices I heard. — © Jim Nantz
I wanted to work for CBS because I loved the way CBS broadcast the Masters and I loved the way CBS presented the NFL. I loved the voices I heard.
I was just overcome with the idea that one day I wanted to be one of those voices at the Masters and work for CBS and cover the NFL.
When I came to CBS it was the mother church. I mean that was - everybody wanted to go to work for CBS News.
I was really lucky to work at CBS news. I was blessed to be able to live my dream in many ways at CBS news.
I had it in my contract with CBS, a very weird clause that was never written before and certainly not since, that if I wanted to do a variety show within the first five years of the contract, CBS would have to put it on for 30 shows.
I'm real excited about being on CBS and hosting this show. I have been studying all of the great CBS shows. I think I'm prepared, so if you're ready, let's have the first item up for bids.
My take on what happened with the moon landing was [......] they suspect [ sic ] that on impact that the cameras would be damaged because back in 1969 cameras weren't, you know, like they are today, as good. So they had a studio set up at CBS to mimic the moon landing. And sure enough the cameras broke and so they flipped, you know, the CBS studio on. And what you saw of the footage of the '69 moon landing was actually at CBS studio.
I'd like CBS, at this point, to say where they got those documents from. I think they should say where they got these documents because I thought it was a very poor job of reporting by CBS.
After more than 50 years of broadcasting on 'CBS News' and '60 Minutes,' I have decided to retire. It's been a wonderful run, but the time has come to say goodbye to all of my friends at CBS and the dozens of people who kept me on the air.
The dream for me was always the Masters and after my freshman season on the Houston golf team I knew CBS was the only way I'd get there.
In the U.S., the '50s and '60s marked the documentary's golden age, especially at CBS, where pioneering television journalist Edward R. Murrow, immortalised in George Clooney's 'Good Night, and Good Luck,' produced such landmark investigations as the CBS Reports programme 'Hunger in America.'
In the US, the 50s and 60s marked the documentary's golden age, especially at CBS, where pioneering televison journalist Edward R Murrow, immortalised in George Clooney's Good Night, and Good Luck, produced such landmark investigations as the CBS Reports programme Hunger in America.
Far and away, the question I'm asked most often is, 'What's your favorite sporting event to call?' I can't say I've ever answered the question well, simply because the three biggest events I broadcast for CBS Sports - the Super Bowl, the NCAA Men's Final Four and the Masters - each are incomparable.
The job I wanted before I was in college was to work for CBS.
My reaction to 'Sin City' is easily stated. I loved it. Or, to put it another way, I loved it, I loved it, I loved it. I loved every gorgeous sick disgusting ravishing overbaked blood-spurting artificial frame of it. A tad hypocritical? Yes. But sometimes you think, Well, I'll just go to hell.
I left my job as an editorial assistant with Katie Couric at CBS to start our company. I think Katie has said being at CBS was the worst time in her career. They were cutting back their news and interactive budget. I just had this very distinct feeling that I wasn't in the spring of something: I was in the late fall.
Even as a little kid, I just loved to make my own music. So I loved singing, and I loved sharing it because it was a way to connect to people.
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