A Quote by Jim Norton

For me, a good comedy town is filled with people on the verge of a riot. They need something to relieve the tension. — © Jim Norton
For me, a good comedy town is filled with people on the verge of a riot. They need something to relieve the tension.
Tension is all about, 'Why is this taking so long?' The interesting thing about that is that it's also the tension of comedy. The tension of drama and comedy is similar, and that's why usually you can get a big laugh in a really tense moment because people need that release.
They're selling postcards of the hanging They're painting the passports brown The beauty parlor is filled with sailors The circus is in town Here comes the blind commissioner They've got him in a trance One hand is tied to the tight-rope walker The other is in his pants And the riot squad they're restless They need somewhere to go As Lady and I look out tonight From Desolation Row.
There's always very high tension with dance auditions! You're in a group, watching the people in the front of the room, hoping you'll get something, anything that will relieve a bit of the stress.
Telling takes away the need to write. It relieves the pressure. And once that tension dissipates, so does the need to relieve it. First write it, then we’ll talk about it.
Levity is the lubricant of a crisis. We resort to jokes, pranks and good natured kidding to relieve tension, stress and boredom.
Everyone tells me I need to do comedy. It's never something that crossed my mind, but to be able to do a true comedy and make people laugh, that would be great.
I really try to have fun. If I don't have fun, you won't have fun. That's what my gift is: to relieve people from a little of the pain and comfort in their lives by allowing my comedy to distract them. A good laugh is almost as good as any doctor visit.
You get into comedy because you are insecure, and you communicate with the world through comedy to sort of alleviate the tension of those insecurities and to find a way to make people like you other than the way you look or how good you are at sports. I don't think that really goes away.
If comedy is about surprises, about tension, there's a lot of tension and surprise there, in the fact that people are expecting this to be natural.
There's a lot of similarities, I think, between a thriller and a comedy because it's all about tension. It's about building tension and setups and payoffs and misdirections and surprising people and sort of pushing the boundary.
Actors are supposed to be these runaways that get in a covered wagon filled with hats and tambourines and go from town to town making people smile.
I've stopped doing things that aren't clear comedy gigs - to do something that's not "comedy night," it's a difficult thing. People have to be given permission to laugh. You need to know it's comedy; otherwise you might just think I'm a man talking out loud.
It bothers me when people say 'shock comic' or 'gross-out' because that was only one type of comedy I did. There was prank comedy. Man-on-the-street-reaction comedy. Visually surreal comedy. But you do something shocking, and that becomes your label.
One of the interesting things about comedy is it's tension release, and nothing creates tension faster than anger.
I like comedy, but I like comedy as a device in drama. It's more interesting for me to use comedy to seduce people into thinking about something serious. If you want to hit a beat in a drama, you can distract people with a little comedy, and you can punch them in the gut with some emotion.
Life is always a problem. The fact that I'm on the radio saying that I don't necessarily see hope does not relieve people, does not relieve my son, does not relieve children, of the responsibility to struggle.
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