A Quote by Jim Norton

I wanted to do a talk show that reminded me of the old school ones I loved as a kid, without all the fake enthusiasm and sound bite-driven conversations. — © Jim Norton
I wanted to do a talk show that reminded me of the old school ones I loved as a kid, without all the fake enthusiasm and sound bite-driven conversations.
I was a completely normal kid, the school nerd. In Year 8 and 9 I got picked on. I was a freak- no one understood me. I was the kid who wanted to be abducted by ET. Then all the losers left in Year 10. But I was quite good at school, and very artistic. In Year 11 it turned around. I became one of the coolest kids in school. I was in school musicals- the kid who could sing. It was bizzare. I loved school. It's an amazing little world. The rules inside the school are different from the outside world.
I'm so used to talk-show hosts just giving you a sound bite and not really being interested.
I was 16 years old, attending boarding school, and I loved Pride and Prejudice. From the opening pages, I loved it. And I will say in my class, not one but two boys told me that I reminded them of Lizzy Bennet. I didn't realize it at the time but this was the nicest thing that any male would ever say to me. This was as good as it got.
I could have gone to a bigger school. I use it as motivation going to a school that loved me. I wanted to put them on the map and show everyone that you don't need to go to a top school to make it in the NBA.
I got into dialogue because my parents began taking me to see plays from when I was very young. Too young, often, to understand the play I was watching: Who's Afraid Of Virginia Woolf when I was nine years old; That Championship Season when I was ten years old. But I loved the sound of dialogue; it sounded like music to me and I wanted to imitate that sound.
I was the kind of kid that always loved babies. I was, you know, four years old, and I would have my baby doll that I would bring with me everywhere and fake breastfeed on the beach and diaper.
I thought I wanted to go to drama school or university, and that would have been a completely different life. But what got me was the sound, and hearing it. Hearing everything so loud, I loved that back in the studio. I loved that from the very beginning.
I've always loved movies since I was a kid. I loved how they could make me happy, sad, or just show me different parts of the world and people. So when I was about six, I decided that that was what I wanted to do: make movies.
Ive always loved movies since I was a kid. I loved how they could make me happy, sad, or just show me different parts of the world and people. So when I was about six, I decided that that was what I wanted to do: make movies.
I love you, Susie.She rolled her eyes. Save it.I haven't given you much reason to believe it, but it's true. I love you. I've loved you for so long I can't imagine ever not loving you. When I saw you struggling to breathe yesterday, I was reminded again that a life without you is no life at all. So you don't have to be civil.You don't even have to talk to me, but I'm going to talk to you. I hope you'll listen.
I love sitting down and having actual conversations. But I don't do that sound-bite, be-candidly-funny thing.
I did see [in Afghanistan] plenty that reminded me of my childhood. I recognised my old neighbourhood, saw my old school, streets where I had played with my brother and cousins.
I loved to teach, I loved my students, but I wanted to find a community. I prayed: "Lord, show me where you want me to go. I will go wanted wherever you call me - but please be clear."
I don't think fake people living in a fake house in a fake suburb are any less dismissible or believable than a fake psychic attending a fake school in a fake town. Nothing's inherently believable about any kind of fiction, because all of it's untrue.
I stayed a year in the sixth form and there was talk of Cambridge, but I wanted to go to drama school. At 17 and three months I went to the Old Vic School in London. This most remarkable and brilliant drama school lasted only six years because the Old Vic Theatre hadn't the money to go on funding it.
Politicians have always been required to be fake, but now the career havoc wrought by a stray, flying sound bite means they have to sustain their fakeness all the time.
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