A Quote by Jim Norton

No matter how many books I've sold, nothing can correct the fact I look like Alfred Hitchcock from the side. — © Jim Norton
No matter how many books I've sold, nothing can correct the fact I look like Alfred Hitchcock from the side.
I worked with the best directors - Martin Scorsese, John Huston, David Lynch, Alfred Hitchcock. Alfred Hitchcock was great.
They know you're not Alfred Hitchcock, but you need to be enough Alfred Hitchcock for them not to be bothered by it. That's a reassuring thing.
I remembered watching the film from Alfred Hitchcock, 'Dial M for Murder,' and he shot almost all of that movie in one room. There was a genius in what Hitchcock did by manipulating things in that room so that you could see the distances between things like the tables and the vases because of how he used perspective.
It's Toby Jones playing Alfred Hitchcock, not Alfred Hitchcock. We all felt that his silhouette was crucial, so his nose and lips were crucial as well. We had to build it out a bit to get the silhouette. But, with my nose being so small within the proportion of my face, the first nose was too big. I felt like a nose on parade.
Alfred Hitchcock was right when he said that actors are basically like cattle. Directors just look at us and yell 'Move!'
I haven't the faintest idea what my royalties are. I haven't the faintest idea how many copies of books sold, or how many books that I've written. I could look these things up; I have no interest in them. I don't know how much money I have. There are a lot of things I just don't care about.
I think of great masters, like [Alfred] Hitchcock, for example, who works absolutely within this sensational realm. You feel like you can always tell what temperature a room is in a Hitchcock film because the people feel alive, they don't feel like they're just being filmed on a stage.
Saturday mornings, or at night when I'm trying to go to bed, I'll watch Hitchcock mysteries and stuff. I know that's pretty boring, but it feels comfortable. It's called 'Alfred Hitchcock Presents.'
I kind of look at my modeling career and the Alfred Hitchcock years as stepping stones to what I'm doing now.
Hitchcock was one of the few people in Hollywood who had a brand. Every movie he made was an Alfred Hitchcock movie, couldn't have been anyone else.
There are many stories of people didn't set out to make a film that became a classic - the whole process was a disaster, everybody hated each other, the movie itself was a disaster, everybody thought the movie and the script was going to be a piece of crap. Look at Alfred Hitchcock and Psycho. Nobody wanted to make Psycho; it was crap to them. The only person that wanted to make Psycho was Hitchcock. Now, it's considered a classic and a work of art.
Well, for someone who looks like me you wonder where Alfred Hitchcock is.
B.I.G. was like the Alfred Hitchcock of rap. Like, this dude's story form was so nuts.
Suspicion," he said. "Directed by Alfred Hitchcock. He's a genius." "Starring Cary Grant." When Lucas gave me a look, I added, "You have your priorities, I have mine.
I read mysteries like Nancy Drew and Alfred Hitchcock, and I swim and I ride my motorbike.
When you take on Hitchcock you know it's gonna provoke some sort of controversy, because there were so many people talking about the book [Stephen Rebello's Alfred Hitchcock and the Making of Psycho] and wanting it to be the film about the making of this movie [Psycho]. But that's been done. That's been done in the book, and Stephen Rebello himself was like, "I want a movie which is an entertainment for the audience." So we made the conscious decision.
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