A Quote by Jim Parrack
I know what it's like to have a dream. I know what it's like to roll the dice and say, 'I'm going to go after this thing,' and nothing turns my stomach quicker than acting teachers or acting schools that look at a bunch of dreamers and say, 'We can help,' when they know full well that they can't.
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It's a roll of the dice in the movie business. I mean, every single movie is a roll of the dice. Any movie on paper could look like it's going to be fantastic. You know what I mean?
Although we're acting, and our minds know that we're acting, our bodies don't quite know that we're acting. So even when you're watching someone acting like they're dying, your body has like a true real response to it.
The whole point of being an artist is to have no agenda. To say, you know, I don't know what I am going to do tomorrow, I don't know what it's going to look like, and I'm going to have a go at it.
To say that you have to carry to term and look after a child for the rest of your life is to say I force you, legally, to love someone. It's like saying, you know, you have to go and love another - you have to go - you know, you have to go marry someone. It's like an arranged marriage.
I don't know what acting is, but I enjoy it. I think we ask too many questions of ourselves. We make too much importance of stuff. But I do say to actors when I have taught in classes, or when I sometimes do a talk to a group. I'll say, “If I never acted again, the world wouldn't stop, nor would it stop if I didn't stop acting. That's how important it is. I know it [seems] important when you're young. But I say, “Lighten up. Don't take it all so seriously.” All the gurus and teachers will take your money and run.
The first thing I say when someone says they want to be an actor is, 'Go get 'Backstage.' You know what's going on, you know who's doing what, and there's work that you can find in there. It's an incredible resource, and there's nothing else like it.
When I first started acting in college, at Cal, the thing that I loved about acting was not being onstage but going into rehearsals. The thing, as I look back on it now, that I was most attracted to, was that I felt like I'd found my family. It was just a bunch of loonies.
I've fully accepted the fact that if I'm going to do a career like this, I have to be willing to take criticism, because it's a part of the job, you know? Any Instagram thing I post, someone's going to say something. I know that. Anything on Twitter, someone's going to judge whatever I do, whatever I say, whatever I look like. I understand that.
What I try to do often when I'm acting and what I like when I'm seeing good acting is how authentic it is. How true is this to what I know of the world that's been created for me? The ultimate test for me is, like, if I heard a clip of it on the radio, I'd like the audience not to know if I'm acting.
Living in a place like Pakistan, very often you meet people who are migrating abroad. And sometimes you'll ask their parents, you know - you didn't try to stop them? Like, why didn't you say, don't go - I'll miss you? Stay with me. And, you know, people say, well, it's best for them. They have to go. And parents, you know, take on that sadness because they know it's better for their children if they leave.
Nothing affects my acting. Acting is something I do with my soul so it embodies a lot of things. For me, I don't know about anyone else, acting is spiritual, so if I do not embody a character or a story or a script, it's going to be extremely difficult for me to be convincing and I don't like that because I am somewhat of a perfectionist
If you roll dice, you know that the odds are one in six that the dice will come up on a particular side. So you can calculate the risk. But, in the stock market, such computations are bull - you don't even know how many sides the dice have!
When you're an actor who just got his first big chunk of change, and you're like, 'What do I do with it?' you try to look at Silicon Valley, and the learning curve is so huge. Especially on the investor side. I don't want to say it's like Vegas, in a sense, but you do kinda roll the dice on some companies. It's like educated dice rolling.
When I'm 65 and still performing every week, I'd like people to say, 'You know, when that guy was a kid, he made these weird, crazy videos?' And they'll have to go look for them - rather than it being the first thing they know about me.
The thing I want to really say is that I still mess up. I still go out there and say things on TV that I know the Lord is like, 'Sherri what are you doing?' but I know I can go back and get on my knees and say, 'Lord forgive me.' I know he will never leave me nor forsake me. The wonderful thing is He answers my prayers in spite of me.
If I hadn't had my children, I would have been discouraged a lot quicker. It would have been much more easy for me to say, "You know what, let the whole thing go. Have a good time, because these people, this place - it's just not worth it." You know? I can't do that anymore. I look into those eyes and they look at me so trustingly that I'm gonna make sure that [they're thinking], "Hey, you did a good thing bringing me into the world, daddy. I'm going to have a great life!"
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