A Quote by Jim Parsons

I couldn't tell you a good, bad or ugly pilot just from reading it, but I can tell you a character I want to play. — © Jim Parsons
I couldn't tell you a good, bad or ugly pilot just from reading it, but I can tell you a character I want to play.
Not every character that you play is going to be somebody that you like or love, but every character that you play has a story that is worth telling. If you're not the person to tell it, that's one thing. But if you don't want to tell it because you are afraid of the unpopularity of the character, I view that as a missed opportunity.
Some people are scared to tell the truth, but I'm going to tell you the Good, the bad, the ugly," it's like, "Let's go there. Let's talk about it."
I came here to tell you the truth, the good, the bad and the ugly.
It was seriously just a name. They didn’t tell you what to do. They didn’t tell you how they wanted the character to be - nothing. You went in to audition for this character name and that was it. When I started, before I came onto the set, I went to Gene Roddenberry and said: hey, what do you want from this guy? Who is he? And being as smart as he is, he said: don’t listen to what you’ve heard or read or seen in the past, nothing. Just make the character your own. And that’s what I did.
My only want and wish, really, was to tell a good story. I wanted to do good work, tell a good story, and give the character a voice. Those were my only expectations.
You look at the part in '12 Years A Slave,' you finish that script - I mean, it's a powerful story. You go, 'Man, I have to play a bad character in this.' And then you go, 'Well, do I want to play a bad character and contribute to a good story?'
Accolades and lists may tell us about accomplishments, but life is meant to be experienced, not just accomplished. It's like the difference between reading books for the sake of reading and reading books just to get a good grade.
I tell writers to keep reading, reading, reading. Read widely and deeply. And I tell them not to give up even after getting rejection letters. And only write what you love.
It's great if a pilot starts off great and if it doesn't start off so great it's not that big a deal: everybody's baby is born ugly. But you want to know, if given the opportunity: Where are we going? What's the story we're trying to tell?
Sometimes it's a character you want to play or a story you want to tell. Sometimes it's just to pay the bills.
I'm just trying to tell a nice story. Whether you're a writer or a producer, all you want to do is tell a good yarn.
I don't care if you hate me or if you like me, as long as somebody gives me a character that is really a character to play. It's fun to be able to have a character and have a director that can direct you into a character. I'm just so happy that I got a good role. I don't care if it's bad or if it's good, and I don't care if it's drama or comedy. They are just so rare to come across.
The relationships we have with our doctors are often the most trusted relationships of our lives. Our doctors tell us hard truths that others will not. We often tell our doctors what we will not tell others. We trust our doctors to give us the good, the bad and the ugly about our health so that each of us can make an informed decision.
David Wain just texted me and asked me if I wanted to do 'Wet Hot.' And I just said, 'Yeah, sure.' And he said, 'You want me to call you and tell you about the character?' And I was like, 'Not really. Just tell me when, and I'll do it.'
It's good to please the network, but you really just have to tell the stories you want to tell, and if you try to please other people, it ends up starting to water stuff down. Those decisions we have to make are hard, but we usually just err on the side of 'What would we want to see?'
I remember growing up and hearing the word "ugly" a lot. "I'm ugly." "She ugly." "He ugly." I hated it then, and I hate it now. I go past physical beauty; I tell people they have a beautiful spirit and that is something different.
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