A Quote by Jim Rash
In a weird way, the drama behind the stage was sort of keeping 'Community' on people's minds.
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I grew up doing plays - I went to a stage school after school - and it's always something that I've wanted to do, but, in a weird way, if you do television and film and you didn't go to drama school and don't have a theatrical background, it's hard to get your foot in the door. In the same way that it is for theater actors to get into television and film. There's a weird prejudice that goes both ways.
In 'The Sopranos,' these guys know their best years are behind them. They have nostalgia for their old traditions. In their minds, they're looking for a time when loyalty mattered, community mattered. E Street is about community, too. People are looking for something real.
I think people hire me for the slightly weird angle that I bring. Part of the trick is keeping it sort of simple; you have to give the impression of not that much music playing when there's really a lot.
I never had an aversion because I was active in the drama club. If I had that aversion I certainly wouldn't put myself in the position of being on stage. Of course, in the drama club you're hiding behind a character.
I would say I've actually done a lot more comedy than I've done drama. It's weird the way that worked out, because when I came out of theater school I took myself way too seriously, so it's kind of ironic that I ended up sort of going down the comedy path.
I think when people talk about lighter drama, they tend to use that term, not derogatorily, but 'lighter' means sort of less to a degree, but if you're an actor, light drama is often mistaken for easier drama.
In a way, 'Lost,' or maybe TV in general, is a kind of a contract between the writers and the viewers. And the actors - of course we have a great deal to do with it - but where the drama's made, sort of where the meeting of minds is, is between those two parties: writers and audience.
Theatre is filled w/ passion, risk and drama (as much behind-the-curtain as on stage), perfect ingredients for documentary storytelling.
The internet's weird. It's kind of harvesting the negativity. I think negativity has always been out there, but because people are hiding behind the screen, they feel able to express these hateful feelings they've maybe been keeping inside.
The less people that are on the stage, there's more drama. You start living the music with each individual. When you see a band with ten people on stage, just a huge ensemble, you don't know who's doing what.
You may be a geek. You may have geek written all over you. You should aim to be the geek they will never forget. Don’t aim to be civilized. Don’t hope that straight people will keep you on as some sort of pet. To hell with them, they put you here. You should realize what society has made of you and take full revenge. Get weird. Get way weird. Get dangerously weird. Get sophisticatedly thoroughly weird and don’t do it half way, put every ounce of your horse power into it. Have the artistic courage to realize your significance in culture.
But doesn't it seem like Chelsea's sort of being pimped out in some weird sort of way?
It's weird to see the parallel between 'Gilmore Girls' and a lot of the Comic-Con-type, sci-fi-fantasy fans. In a weird way, even though 'Gilmore Girls' is not in that genre, the way the fandom conducts itself and has created this community is similar.
The word “art” is something the West has never understood. Art is supposed to be a part of a community. Like, scholars are supposed to be a part of a community... Art is to decorate people’s houses, their skin, their clothes, to make them expand their minds, and it’s supposed to be right in the community, where they can have it when they want it... It’s supposed to be as essential as a grocery store... that’s the only way art can function naturally.
'Confederate,' in all of our minds, will be an alternative-history show. It's a science-fiction show. One of the strengths of science fiction is that it can show us how this history is still with us in a way no strictly realistic drama ever could, whether it were a historical drama or a contemporary drama.
The difference that a drama group or a cinema club can make to a small village or a town. It opens people up to ideas, potential about themselves that really, in a way, education often fails to. It's a way of drawing a community together.
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