A Quote by Jim Rash

'Game of Thrones' is taking dense novels and trying to shrink it all down to a slightly manageable series in the sense that there are so many characters and so many locations.
What's so great with 'Game of Thrones' is that there are so many characters and they're so many locations and that it's just very inspiring.
There are so many beautiful locations in Rajasthan, so many beautiful locations in our India that have not been explored. Foreigners come and explore such places, but we fail to see those locations with that perspective.
On one level, all of the characters in 'Game of Thrones' grow out of George R.R. Martin's imagination. Therefore they are his. As long as they are in the novels they are his. But the moment they step forth onto the TV screen, they become filtered through the showrunners. In a business sense, it's the same way with comics.
I'm actually reading 'World War Z' again! It's incredibly realistic and it's written as an oral history through interviews with different characters. Max Brooks wrote this book in so many different voices. There are about forty or so. It's incredible. When I finish 'World War Z' I'm going to go back and start again on the 'Game of Thrones' series.
Any important series like 'Game of Thrones' or 'The Walking Dead' base their product around the characters and their background.
Every time I make a movie I have too many characters and too many locations.
The characters are born from repetition, from repeatedly thinking about them. I have their outline in my head. I become the character and as the character I visit the locations of the story many, many times. Only after that I start drawing the character, but again I do it many, many times, over and over. And I only finish just before the deadline.
There's a cumulative effort within the course of a game, a series, and a season, too, where you see so many pitches and have so many at-bats that you can wear down an opponent. Once you develop that reputation as a club, year after year, players come in, and they tend to fit in with that profile.
There are too many ideas and things and people. Too many directions to go. I was starting to believe the reason it matters to care passionately about something, is that it whittles the world down to a more manageable size.
One of the most beautiful things about 'Game of Thrones' is it's told from so many different points of view, and these characters can convince you that what they're doing is right. But they're only showing you a bit of the picture, and when you see it from another character's point of view you may switch allegiances.
There is a huge fan base, they're very knowledgeable and very loyal. I was astonished - before I started working on the series I didn't know anything about Game of Thrones. I hadn't heard of the books. When it started going out, people were coming up to me in the street saying [fake cockney accent] "oh, Game of Thrones, f------ wonderful.
In Pakistan, many of the young people read novels because in the novels, not just my novels but the novels of many other Pakistani writers, they encounter ideas, notions, ways of thinking about the world, thinking about their society that are different. And fiction functions in a countercultural way as it does in America and certainly as it did in the, you know, '60s.
'Game of Thrones' is one of my favourite series.
I have a T-shirt that says Game of Stones, which has the Flintstones dressed as 'Game of Thrones' characters on it.
It feels like we're always juggling many pieces of information at once or trying out many personas at once. It makes life slightly nonlinear.
Iran is taking over Iraq. They've been trying to for many, many decades. And now they're finally taking over Iraq. As we sit here, they're taking over Iraq. We get nothing.
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