A Quote by Jim Rash

I think most co-directors and co-writers just hold hands. — © Jim Rash
I think most co-directors and co-writers just hold hands.
I held hands with her all the time...that doesn't sound like much, I realize, but she was terrific to hold hands with. Most girls if you hold hands with them, their goddam hand dies on you, or else they think they have to keep moving their hand all the time, as if they were afraid they'd bore you or something.
Earlier, actors had a lot of power in their hands. And now, it has gone in the hands of the directors and writers, and that is how it should be. They are the visionaries, and we are the doers.
I may not have hands to hold my wife’s hands, but I don’t need hands to hold her heart. That’s what I’m gonna hold.
I hold my face in my two hands. No, I am not crying. I hold my face in my two hands to keep the loneliness warm - two hands protecting, two hands nourishing, two hands preventing my soul from leaving me in anger.
When I first started out, it was very, very difficult to even get in the room with directors or casting directors because they would see that I hadn't been to drama school and wouldn't want to see me. Now, I feel like it's changing. We have this new generation of a lot of writers, directors and actors who are just breaking through, and they're doing it for the passion.
What's interesting is, most of the people who are fans of the The Wire who black people or cops... most of the people in the industry are the crew: writers, actors and directors. And so they understand what it is that we do, so they think, "Wow, what a incredible group of amazing actors." It's funny, I think there are a couple of reasons why we have never gotten any nomination for anything except for writing.
She was terrific to hold hands with. Most girls if you hold hands with them, their goddam hand dies on you, or else they think they have to keep moving their hand all the time, as if they were afraid they'd bore you or something. Jane was different. We'd get into a goddam movie or something, and right away we'd start holding hands, and we wouldn't quit till the movie was over. And without changing the position or making a big deal out of it. You never even worried, with Jane, whether your hand was sweaty or not. All you knew was, you were happy. You really were.
I'm not intimidated by other actors at all - or directors. I don't care who they are. But I am intimidated by writers. I hold them in the highest esteem.
Life is full of all sorts of people. You just need to know which hands to shake, which hands to hold and which hands to let go.
What kind of husband am I gonna be if I can't even hold my wife's hand? ...but I realized I may not have hands to hold my wife's hand, but when the time comes, I'll be able to hold her heart. I don't need hands to hold her heart.
I think I've learned over the years, because you'd have to be stupid not to, that when a book publisher gives you a deadline they're just kidding for the most part. I don't know what they do with it, it's like you send them your book and they just hold it in their hands for like six months and I don't know why, and you realize you probably had more time.
You know, it's a funny thing about writers. Most people don't stop to think of books being written by people much like themselves. They think that writers are all dead long ago--they don't expect to meet them in the street or out shopping. They know their stories but not their names, and certainly not their faces. And most writers like it that way.
I think they're really linked. I think books and movies are going to go a long way together in the future. I think we writers are very important material for directors.
I don't think I have advice for female directors as opposed to male directors. I think all first-time directors should try and be as prepared as they possibly can, because it's hard!
This is how you hold onto your family. You hold them with open hands so they are free to find futures of their own. It's just that simple.
I'll put it this way: with the kind of films that I do - creatively driven, with interesting directors and writers - I don't feel the need to work with the super established, top-tier directors that are out there.
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