A Quote by Jim Rohn

When the record book on you is finished, let it show your wins and losses. But don't let it show you didn't try. — © Jim Rohn
When the record book on you is finished, let it show your wins and losses. But don't let it show you didn't try.
I want wins and losses to matter. That is the point of wrestling, everyone is striving to be a champion and your stature in the company is marked by your win-loss record.
At the end of the day, the wins are the wins and the losses are the losses. But the relationships are everything.
As an assistant coach, the wins and losses don't tally up on your record, so you don't necessarily have that to fall back on, so you have to find smaller games within the bigger picture to play in order to get your victories.
Wins and losses right now are important, but in reality it's the least of my concerns. My concern is to make sure than we give hope to anyone watching us. I am not going to judge this season on wins and losses.
You have to be okay with wins and losses. You can't just be looking for the wins and, when the losses happen, you can't buy more and more because you're sure it's going to bounce. We call that revenge trading.
There should be a new way to record standings in this league; one column for wins, one for losses and one for gifts.
I don't know who will overcome losses, some losses aren't meant to be overcome, but all losses make for good stories and good character development and all the jazz that makes a show compelling and watchable.
All writers learn this, in time: don't show your work to other people until it's safely finished. Even discussing your unborn book in quite general terms can be such an undermining experience that, afterwards, you give it up and go to live in Guatemala.
In the stand-up comedy top, there's room for everyone - if you're good, there's room for everyone. You'll put on your own show - no one casts you. You cast your own show as a stand-up comedian. When you get good at stand-up comedy you book a theater and if people show up, people show up. If people don't show up, people don't show up. You don't have a director or a casting agent or anybody saying if you're good enough - the audience will decide.
The absolute worst part of my job is having to cut people. I have to cut people after every show, that's just how it goes. But I don't judge you on wins and losses. What I do care about is a great fight.
For me, a show's a show. I try to put on the best show I can for whatever audience or time slot I get.
The G7, just a European centric show, an Atlantic show, is fundamentally finished.
Our cast and crew strive for this show after show hard as they can. It shows in the finished product.
I think your posing and your onstage presentation is yet another piece of the craft. So anytime you get onstage to show the muscles and show the finished work, that should be looked at with the same kind of respect and appreciation. I'm glad everybody else appreciates it, but I still want to get better.
When I was 17, my mum thought it would be a good idea to compete in a modeling television show. It was hard for me to book jobs in Australia at this time, being that my look was so different. Even though I didn't win, I was given a modeling contract with New York Models, so I flew to New York as soon as the show was finished.
I start the show, and the armour goes on, and the showman comes out. When the show is finished, that comes off, and I become soft centred again.
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