A Quote by Jim Rohn
A well-fashioned day - with a beginning and an end, a purpose and a content, a color and a character, a feel and a texture - takes it place among the many and becomes a valuable memory and treasure. At midnight the winged messengers come and gather up all these pieces and take them off to wherever the mosaic is kept. And surely, on occasion, one messenger says to another, 'Wait 'til you see this one.'
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He likes a day in the studio to end, he says, "when my knees are all skinned up and my pants are wet and my hair's off to one side and I feel like I've been in the foxhole all day. I don't think comfort is good for music. It's good to come out with skinned knuckles after wrestling with something you can't see. I like it when you come home at the end of the day from recording and someone says, "What happened to your hand?" And you don't even know. When you're in that place, you can dance on a broken ankle.
Germany was a parliamentary democracy with many, many humane and decent people who kept writing in their journals - I've read these journals, these memoirs - "Surely our leaders will stop this nonsense. Surely someone will take on these thugs. Surely the pendulum will swing back." Everyone was sitting at home going, "Well, they haven't come for me. This is crazy, but surely someone's going to take care of it." We all have to take care of it.
New York's niche is content, and content is becoming more valuable. Just think about what is more valuable: MTV or the cable system that you use to get MTV? Howard Stern or the radio station you use to listen to him? Ultimately, technology becomes a commodity, and content - real, true branded content - becomes more valuable.
Music is, for me, like a beautiful mosaic which God has put together. He takes all the pieces in his hand, throws them into the world, and we have to recreate the picture from the pieces.
Lost love is still love. It takes a different form, that's all. You can't see their smile or bring them food or tousle their hair or move them around a dance floor. But when those senses weaken another heightens. Memory. Memory becomes your partner. You nurture it. You hold it. You dance with it.
I dreamed a place where I have come to dwell Cold Mountain says it all Monkeys scream, the valley fog is cold My door blends with the color of the peaks I gather leaves and thatch a hut among the pines Dig a pond and lead a trickle from the brook Long ago I left the world behind Eating ferns I pass the years in peace
So do we pass the ghosts that haunt us later in our lives; they sit undramatically by the roadside like poor beggars, and we see them only from the corners of our eyes, if we see them at all. The idea that they have been waiting there for us rarely crosses our minds. Yet they do wait, and when we have passed, they gather up their bundles of memory and fall in behind, treading in our footsteps and catching up, little by little.
When you are writing, you have to love all your characters. If you're writing something from a minor character's point of view, you really need to stop and say the purpose of this character isn't to be somebody's sidekick or to come in and put the horse in the stable. The purpose of this character is you're getting a little window into that character's life and that character's day. You have to write them as if they're not a minor character, because they do have their own things going on.
A French proverb says 'Wait until it is night before saying that it has been a fine day.' To tell it more precise, wait till the clock strikes the midnight!
We don't have to wait until we are old to gather the riches... We can gather them every day of our lives.
...Bin Laden's quotes from the Quaran resonated in my brain: "When you meet the unbelievers, strike them in the neck." "If you do not go out and fight, God will punish you severely and put others in your place." "Wherever you find the polytheists, kill them, seize them, besiege them, ambush them." "You who believe, do not take the Jews and Christians as friends; they are allies only to each other. Anyone who takes them as an ally becomes one of them.
It was true what Jim said, this wasn’t the end but the beginning. But the wars would end one day and Jim would come then, to the island they would share. One day surely the wars would end, and Jim would come home, if only to lie broken in MacMurrough’s arms, he would come to his island home. And MacMurrough would have it built for him, brick by brick, washed by the rain and the reckless sea. In the living stream they’d swim a season. For maybe it was true that no man is an island: but he believed that two very well might be.
Whatseems to take place outside ideology (to be precise, in the street), in reality takes place in ideology. What really takes place in ideology seems therefore to take place outside it. That is why those who are in ideology believe themselves by definition outside ideology: one of the effects of ideology is the practical denegation of the ideological character of ideology by ideology: ideology never says, 'I am ideological.'
Cults and prophets proclaiming the imminent end of the world have been with us for several millennia, and it has been another sour sort of fun to ridicule them the morning after, when they discover that their calculations were a little off. But, just as with Marxists, there are some among them who are working hard to "hasten the inevitable," not merely anticipating the End Days with joy in their hearts, but taking political action to bring about the conditions they think are the prerequisites for that occasion.
I'm horrible to live with. I don't clean. My clothes end up wherever I take them off. I forget to flush the toilet.
The calla lilies are in bloom again. Such a strange flower—suitable to any occasion. I carried them on my wedding day, and now I place them here in memory of something that has died.
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