A Quote by Jim Rohn

A novel is never anything, but a philosophy put into images. — © Jim Rohn
A novel is never anything, but a philosophy put into images.
A novel is never anything but a philosophy expressed in images. And in a good novel the philosophy has disappeared into the images.
The philosophy of individualism owes a great deal to the tradition of novel-writing and novel-reading. In its development and in its aesthetics, the novel is not politically neutral; it has been a participant in history all along.
I have never started a novel - I mean except the first, when I was starting a novel just to start a novel - I've never written one without rereading Victory. It opens up the possibilities of a novel. It makes it seem worth doing.
Philosophy must never be divorced from action. Unless it is put into practice, philosophy is nothing more than an intellectual game.
I had always wanted to include images in a novel, and with my first book, 'Telex From Cuba,' I made an elaborate website that is basically all images.
One novel in five hundred or a thousand has the quality a novel should have to make it a novel -- the quality of philosophy.
Film is important; it can be more than reportage or a novel - it creates images people have never seen before, never imagined they'd see, maybe because they needed someone else to imagine them.
This is the power of images, the ambiguity. You are never completely sure of anything. With written language, it's more concrete. You have to establish some facts, but in movies, you see things happening, and the exact meaning behind the images is more ambiguous.
The point is, that the function of the novel seems to be changing; it has become an outpost of journalism; we read novels for information about areas of life we don't know - Nigeria, South Africa, the American army, a coal-mining village, coteries in Chelsea, etc. We read to find out what is going on. One novel in five hundred or a thousand has the quality a novel should have to make it a novel - the quality of philosophy.
Writing a novel is like knocking on a door that will never open. You are so desperate to get in, you will say or do anything. You feel: please take my novel.
In some areas, [Getty Images has] more images than the rest of the market put together. But libraries are being built up at a terrific pace. A photographer in a lifetime will produce maybe a million images, and there are about 15,000 professionals at work out there.
For my part, the good novel of character is the novel I can always pick up; but the good novel of incident is the novel I can never lay down.
Andy Harp's RETRIBUTION is a stunner: a blow to the gut and shot of adrenaline. Here is a novel written with authentic authority and bears shocking relevance to the dangers of today. It reminds me of Tom Clancy at his finest. Put this novel on your must-read list-anything by Harp is now on mine.
The novel that an author writes is often not the novel that the reader reads, and most of the 'messages' in a novel are put there by the reader. There's nothing wrong with that, of course. That's how literature functions.
If you cannot think of anything to say that is useful or enlightening about your images, then don't say anything. There are plenty of other people who would love to put words in your mouth.
I mean, every novel's a historical novel anyway. But calling something a historical novel seems to put mittens on it, right? It puts manners on it. And you don't want your novels to be mannered.
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