A Quote by Jim Root

There's always something to rage about, right? — © Jim Root
There's always something to rage about, right?
This is where our obsession with going fast and saving time leads. To road rage, air rage, shopping rage, relationship rage, office rage, vacation rage, gym rage. Thanks to speed, we live in the age of rage.
No rage is equal to the rage of a contented right-thinking man when he is confronted in the marketplace by an idea which belongs in the pulpit.
Rage cannot be hidden, it can only be dissembled. This dissembling deludes the thoughtless, and strengthens rage and adds, to rage, contempt.
There's so much rage in the world now and I'm finding poems to be the place where I want to stay. I rage and rage and then write a poem and return to breathing.
I’m a bit of an expert on anger, having suffered from it all through my youth, when I was both brunt and font. It’s certainly the most miserable state to be in but it’s also tremendously gratifying, really—rage feels justified. And it’s an excellent substitute for action. Why would you want to sacrifice rage to go about the long, difficult, dreary business of making something more tolerable?
His rage passes description - the sort of rage that is only seen when rich folk that have more than they can enjoy suddenly lose something that they have long had but have never before used or wanted.
It's music rage, which is like road rage, only more righteous. When you get road rage, a tiny part of you knows you're being a jerk, but when you get music rage, you're carrying out the will of God, and God wants these people dead.
But sometimes shame is a more powerful engine than rage. Like rage, it burns hot; and like rage it tends to consume its own furnace.
I personally do not believe in strident activism. I do not believe in moral outrage, because even moral outrage is rage, and rage is rage - it adds to more rage in the collective consciousness, if we understand how consciousness works.
'Red Lanterns' is obviously about rage, but more it's about how rage affects people - alien and human. I'll be getting into the characters of some of those insane Red Lanterns whom we've generally only seen spitting vomit in the background.
It always sounds more right to me when it's detuned. When it's right in tune, it's like there's something slightly off. But at the end of the day, it's all about frequencies and what they do to you. That's the real core.
Wherever you are in the world, there's always something about the Australian light. There's something about the sharpness of it, something about the clarity of it, something about the colours of Australia. And hopefully, something optimistic about Australian painting too.
Rage is by no means an automatic reaction to misery and suffering as such; no one reacts with rage to an incurable disease or to an earthquake or, for that matter, to social conditions that seem to be unchangeable. Only where there is reason to suspect that conditions could be changed and are not does rage arise.
No one can sustain rage for long. I am still angry and always will be. My dear son was stolen from me and his family to never return. He was killed for profit and lies. How can I not be angry? Sometimes though, the rage comes back.
With 'Rage,' it was a little bit different because this was going to be the public's first interaction with the 'Rage' IP. Early on, right after the tech demo, there was some marked concern internally how much of a bad thing it would be if the game went out and it wasn't well released and people got a bad taste off it.
There are scenes that were right on the edge, but I always try to err on non-indulgence. It's something that I'm very careful about, that I'm just leaning too hard into something.
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