A Quote by Jim Ross

We live in a very defiant society, especially among young men in the WWE's target demographic. So sometimes when you're really trying to promote somebody and build them, the audience can easily take it as you're trying to force somebody upon them.
I guess what I'm trying to say is that you can't live somebody else's life for them. They have to make their own choices, and sometimes all we can do is learn to live with them.
To do business with a friend is difficult. The business itself is so stressful, so if you're havin' a bad day you can easily take it out on somebody, and then you takin' it out on somebody can easily turn into a blowup. It's weird, because you might really get to know a person by doin' business with them, then you probably decide you don't even wanna be around them, and that can really launch it off.
I'm not better when I force shots. I'm going to take them as they come. They are really sagging in there, trying to take me out of the game. It's my job to find guys. I want to be aggressive and take my shots, but I can't force them.
Of course, the young male demographic has always been the target demographic for 'Star Trek,' the men ageing fifteen to about twenty-five or thirty, a very tough market to appeal to.
We live in a society in which female weight is both fetishized and also under so much scrutiny. And so trying to shame somebody into losing weight is just such, I mean, an emotionally, psychologically and mentally traumatizing way to coach somebody.
What you're trying to create is a certain kind of an indispensable presence, where your position in the narrative is not contingent on whether somebody likes you, or somebody knows you, or somebody's a friend, or somebody's being generous to you.
I'm partly somebody else trying to fit in and say the right things and do the right thing and be in the right place and wear what everybody else is wearing. Sometimes I think we're all trying to be shadows of each other, trying to buy the same records and everything even if we don't like them. Kids are like robots, off an assembly line, and I don't want to be a robot!
Making false claims about somebody before you know them, and about a group of guys, that has no business in our world. If we're trying to promote peace and love, I don't think that has any place.
If you can't bring them down economically you kill them, that's how you promote equality. You build a wall to keep them in the country. Socialism, communism, build walls to make sure people can't get out. In a country that's communist and builds a wall, there's nobody trying to get in. Works every time it's tried.
I know when somebody is trying to get something out of me for clicks. And sometimes I feel like giving it to them. Sometimes I feel like being real and open to them, but at the same time, I know how much I can give you.
It's tough to make music and make it your own, and not have somebody call it something you don't agree with but can't control. Sometimes the press doesn't realize how much power they have and how they can shape somebody's life. I think there's a lot of people just trying to make music and get their art out there, and their heads get f**ked by the press calling them this or calling them that.
When you're still in the broadcast business, you're still trying to reach tens of millions. You're trying to still aim for a broader audience, and I think that's a more difficult task to spread yourself across that audience, connect with them, as opposed to a very, very small, pinpointed audience. Difficult to do.
The demographic of our audience is young. It also contains a high proportion of black, Jewish and gay people, who have all been encouraged by society to think of themselves as oddities or mutants. I hope that's why X-Men chimes with them - it's certainly why I was attracted to the idea in the first place.
If a star or studio chief or any other great movie personages find themselves sitting among a lot of nobodies, they get frightened - as if somebody was trying to demote them.
Not ever having been an agent myself, my sense is that upper-level agents who have the most power, who can move people through the system more easily, are less willing to take on the volume of work to break somebody new. And then lower-level people, if they are willing to take on somebody new, they don't necessarily have as much sway, and it's harder for them to push somebody through.
I see it every day: People trying to create a home that somebody else tells them they should have. I don't care if it's a magazine or a bossy friend - when somebody says, 'This is what's elegant, this is what's trendy,' if it doesn't represent you, you're not going to be happy.
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