A Quote by Jim Ross

I've always believed that if you are in the WWE system, that in two years or less, the staff should be able to tell who's a keeper and who's not. — © Jim Ross
I've always believed that if you are in the WWE system, that in two years or less, the staff should be able to tell who's a keeper and who's not.
WWE had years to develop and train their staff. WWE makes sure the production team got exactly what Vince McMahon was looking for and how he wanted it.
I always believed a singer should be able to sing any kind of song. If I wanted to sing a Cole Porter song, I should be able to do that. Or Sherry, I should be able to do that. Or a Dylan song.
I always believed a singer should be able to sing any kind of song. If I wanted to sing a Cole Porter song, I should be able to do that. Or 'Sherry,' I should be able to do that. Or a Dylan song.
A crown is a pitiless master, harsher than the staff of a pig-keeper; while a staff bears up, a crown weighs down, beyond the strength of any man to wear it lightly.
The U.K. needs a system for family migration underpinned by three simple principles. One: that those who come here should do so on the basis of a genuine relationship. Two: that migrants should be able to pay their way. And three: that they are able to integrate into British society.
I love 'Memory Keeper's Daughter,' but in some ways I think 'The Lake of Dreams' is a stronger book. I was able to tell the story I wanted to tell. That's all you can ever do as a writer. From there on you have no control over it.
Everybody that's employed by 'WWE' - the biggest wrestling company in the world - should be good wrestlers able to tell good stories.
A great deal of WWE Superstars, like Dolph Ziggler, Bray Wyatt, Baron Corbin, Sheamus, Braun Strowman, The Miz, etc., came from WWE's developmental system, and I've had the privilege of working with them over the years.
There is no 'off' being John Cena: it's always on. In a way, I think that has helped me, because over the years I have been able to be humble. I have been able to be humiliated in front of the WWE universe in a good way.
I always believed that the picture itself should tell the story.
Baroque civilization believed in two truths, which for a post-18th-century mindset are exclusive truths - we have to eliminate one to believe the other. They believed in the rational exploration of the universe, and they also believed that there was a hidden spiritual truth. Baroque thinkers were able to live the two at the same time. In any case, for me, it's necessary to live that way also.
I was there less than a year before I was assigned to the Paris bureau. I spent two years there and, in fact, before I even went on the staff I was sent to Europe to do assignments which they wouldn't normally do for a young photographer just starting out.
I've always enjoyed Twitter. I enjoy it a lot less now that I'm in WWE, I'll be honest. Because the number of idiots that have access to you is exponentially more. I feel like people shouldn't be able to tweet whatever they want without consequences.
It took me 11 years to get a shot at the WWE championship; not just to win it, but just to get a shot, but luckily I was able to capitalize on that and become WWE champion, but if I had quit I wouldn't have been in that position.
That sort of detailed filmmaking is one, hard to do and not have it be pretentious, and two, have it tell the story, which is what you're taught, that cinema is the language of images and you really should be able to make a film with no dialogue and tell a story.
Then do you mean that I have got to go on catching these damned two-and-a-half pounders at this corner forever and ever? The keeper nodded. Hell! said Mr. Castwell. Yes , said his keeper.
This site uses cookies to ensure you get the best experience. More info...
Got it!