It has been my experience that the greatest performers in the genre of sports-entertainment are usually natural extensions of their own, true personality.
I had spent over 10 years in sports, and there's such a natural crossover between entertainment and sports. It's more common to have both of those in your arsenal.
Most of the comedy characters I played have been extensions of my own personality and very similar to Mike Channel. It's a weird eclectic mixture of your genuine character and the character you portray.
There have always been extraordinarily tough men in the business of sports-entertainment. My view is that one can't be in the sports-entertainment business successfully and long term without being tough.
My brother happens to be the greatest announcer in sports and entertainment history.
Playing sports has always been my greatest pleasure. I don't smoke, I hardly drink alcohol. Sports helped get me into the presidential palace. My first position in the union was that of sports secretary.
Soccer and sports are entertainment ... You can't call Beethoven's 9th Symphony or a work of Shakespeare `entertainment.' It's not `entertainment.' It's culture.
We went through this month camp, learning how to bump and hit the ropes. I just fell in love with WWE and sports entertainment. It was the perfect world of the merge in sports, action, acting, and entertainment. I felt like I finally found my place.
From the very first days of AEG, my vision has been to tie together world class real estate development structured around entertainment venues with premium sports and live entertainment content.
Sports Personality of the Year' is such an iconic sort of programme, I remember when I was playing tennis, wherever I was in the world I would want to be back in Britain for 'Sports Personality of the Year.'
I kind of keep my personality in my pocket a lot. When I start to do stand-up, that's not my true personality either. It's the personality of a guy who hasn't been able to say what he wanted to say.
The black man's journey within the genre of grappling wasn't unlike the challenges their brethren faced in professional sports, entertainment and, most importantly, everyday life. To say it was challenging would be a massive understatement.
My whole way of looking at entertainment and audience engagement - and my ability to go from one genre to another - comes from my experience in New Orleans.
True change is a long game, and it remains to be seen if this is change. We've had years before where there have been great years for filmmakers and performers of color, LGBTQ filmmakers and performers, women.
There are two types of people, two types of performers: Performers who know how to keep a show going, literally, when the power is gone and performers who haven't had that much experience and will panic and freak out and don't know what to do.
There are two types of people, two types of performers: Performers who know how to keep a show going literally when the power is gone and performers who haven't had that much experience and will panic and freak out and don't know what to do.
Ads are not written to entertain. When they do, those entertainment seekers rare little likely to be the people whom you want. This is one of the greatest advertising faults. Ad writers abandon their part. They forgot they are salesmen and try to be performers. Instead of sales, they seek applause