A Quote by Jim Sarbh

I started to view theatre like a spiritual experience. You're on stage saying somebody else's lines, but you're saying them with full commitment of being that person. — © Jim Sarbh
I started to view theatre like a spiritual experience. You're on stage saying somebody else's lines, but you're saying them with full commitment of being that person.
I need a costume to be convinced that I'm somebody else. Otherwise, it's just me. It's just Amy saying lines. I haven't really become somebody else. And what's the fun in that?
I just said let's get some poets on tv. And when they said that sounded unlikely, I made it worse. I said, no man, I want to put a bunch of black poets on stage, too. Some Latino poets who barely speak English and Asian poets who can't believe how discriminated against they are. It was luck nad being in the right place. I wasn't saying nothing somebody else wasn't saying but they wouldn't hear it from them.
I'm certainly not saying anything new, and I'm not even saying anything all that different from what everyone else I know is saying right now - I'm saying what millions of people are saying. I'm just saying it publicly.
Psychologically, you learn the values that are inherent in the dialogue, and you learn to apply it to the way you read the lines. That's acting. You're not yourself saying those lines, you're somebody else.
If somebody is saying that I should not compete because I'm a man, I don't know what to say to that. And if somebody is saying that I had it easy, I would invite them to join the military and enter Indiana politics in 2010 as a gay person. See how easy they find it.
It's weird to try to write lyrics for somebody else. They can't really get behind what you're saying or what you want them to say because they didn't experience it.
Don't talk to me about the world needing cheerful stuff! What the person out of Belsen physical or psychological wants is nobody saying the birdies still go tweet-tweet, but the full knowledge that somebody else has been there and knows the worst, just what it is like.
When you steal from somebody, you are saying to them, 'I don't respect how hard you worked for your money.' When somebody steals from you, that's what they're saying.
Personally, I never believe an artist saying "I do it for myself" is saying the truth, because why would you go through the trouble of making something that goes out into the world if you didn't care about somebody else seeing it? It's like the difference between those who choose "more comfortably termed entertainment" versus what people think of as the "art life," which is supposedly more monastic or spiritual. I don't believe in those distinctions.
A lot of the fun lies in trying to penetrate the mystery; and this is best done by saying over the lines to yourself again and again, till they pass through the stage of sounding like nonsense, and finally return to a full sense that had at first escaped notice.
As actors, the magic is in the almost spiritual experience to really enter another world, to really enter a belief of being in another person's shoes and to really take on their experiences as someone else has written them and imagined them. It's kind of a sacred thing. It's a very spiritual experience. That in itself for me is the main thing that keeps me coming back to it. I like to travel, but for me, this is the greatest travel.
When I'm on stage, I'm not me playing me. I'm somebody else doing me. I could never go on stage and be like, "Hey, I'm Mike Tyson. My mother and father was in the sex industry." That's the politically correct way to say it, but I would really say, "My mother and father were pimps and whores. This is my life." I could never do that as Mike Tyson. Because I'd feel sorry for myself. But if I could be objective about it and be somebody else, portraying Mike Tyson, saying this story, then it's easy sailing.
My music is not for everyone. It's only for the stong-willed, the [street] soldiers music. It's not like party music- I mean, you could gig to it, but it's spiritual. My musi is spiritual. It's like Negro spiituals, except for the fact that I'm not saying 'We shall Overcome.' I'm saying that we are overcome.
I'm not saying that theatre is a doomed profession, but if a person wants to stay in it very long, they'd better develop theatre skills beyond just acting.
Before I worked on film, I studied the theatre, and I expected that I would spend my whole career in theatre. Gradually, I started writing for the cinema. However, I feel grateful towards the theatre. I love working with spectators, and I love this experience with the theatre, and I like theatre culture.
In America, we have to learn to be patient enough to figure out what somebody is saying. Somebody might actually be saying something.
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