A Quote by Jim Sarbh
You have to do all kinds of things like voice-overs, corporate gigs, and edit videos to support yourself.
Related Quotes
To be honest, there is a special gift for doing voice-overs, and the people who did the voices in the 'SpongeBob' cast are excellent at cartoon voice-overs, and they bring something extra to the reads.
Don't edit yourself too much. Don't be afraid of looking stupid, 'cool' is so rarely funny I think. And just do it! Do as many gigs as you possibly can, and watch as many gigs as you possibly can. You'll get the rhythm of it in your head and make lovely friends.
I don't really do any corporate gigs or I don't really cash in which is a bit silly and much to the annoyance of my family. I'd rather just do gigs that I like and TV shows that I like rather than personal appearances at a nightclub.
We both [with Jo Andres] think that it is really important to our culture that we support all kinds of music, all kinds of theatre and all kinds of art because you never know what moves people. We've always believed that there should be a strong voice outside the commercial world. Certainly, the commercial world has a huge place in our culture and we also support that - but, we also want to support the stuff that lives outside of that.
Between 50 overs and 20 overs, there is a big difference, because there is 30 extra overs of fielding and six extra overs to bowl, and that can take its toll.
When I was a kid, I used to make skateboarding videos, and I would pretend to be in a band and make rock videos that I'd edit with two VCRs.
We do really, really well for content creation and anybody who likes to run videos or edit videos and high performance games.
With my YouTube videos, I used to edit a lot of my own videos, so I've gotten used to seeing myself on camera.
With voice overs... you're not thinking about the camera. So your voice becomes this thing that you can manipulate. And depending on the character you're doing, it's all concentration on your voice.
I do like a song that can look good on a page without even being sung. I edit and edit and edit.
In my mind, I work out situations. Like, how I should play if I bat for four overs, or how should I approach myself if its 10 overs. These are things I work at the nets.
I write a chapter, then edit it and edit it and edit it and edit it. I don't think we mine creativity from within. It's bestowed from on high, from God.
I don't need the credits for playing the blues and paying the dues. I've already done it. There are some other things to do here - movies and scores and voice-overs.
[Writing] is edit, edit, edit. It's almost like getting a boat ready to go to sea. You've still got a countless number of things left to fix, but you've just got to go, "O.K., everybody get on the boat. We're going, ready or not."
In my career, I have done more than a thousand voice-overs in commercials, cartoons, and radio shows, so I'm very familiar of my voice capabilities and its range.
I loved the opportunity to just transform my voice. I loved the idea of doing impressions and mimicking and playing around with the spectrum of your own voice. That's what I enjoy most about doing voice-overs.
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