A Quote by Jim Shepard

I do find stories - or literary fiction - an apt form for analyzing the world. And especially for trying to imagine the other. An agenda, again, that seems more important now than ever.
I'm now much more excited about genre distinctions. What I still see breaking down are more the hierarchical arrangements of genres. That is, "There is literary fiction, and then there are lesser genres." I'm much more clear on the idea that literary fiction is itself a genre. It is not above other genres. It is down there in the muck with all the other genres, and it's doing the wonderful things that it does, but to give it a Y-axis, to make it high and low, just seems absurd. I stand by that.
In general, fiction is divided into 'literary fiction' and 'commercial fiction.' Nobody can definitively say what separates one from the other, but that doesn't stop everybody (including me) from trying. Your book probably will be perceived as one or the other, and that will affect how it is read, packaged and marketed.
It seems like everyone's got an agenda, and the agenda seems to be selling magazines or air time with sensational stories.
There must be a dozen films now based on Philip K. Dick novels or stories, far more than any other published science fiction writer. He's sort of become the go-to guy for weird science fiction notions.
The brightest minds in our field have been trying to find a definition of science fiction for these past seventy years. The short answer is, science fiction stories are given as possible, not necessarily here and now, but somewhere, sometime.
Writers imagine that they cull stories from the world. I'm beginning to believe that vanity makes them think so. That it's actually the other way around. Stories cull writers from the world. Stories reveal themselves to us. The public narrative, the private narrative - they colonize us. They commission us. They insist on being told. Fiction and nonfiction are only different techniques of story telling. For reasons that I don't fully understand, fiction dances out of me, and nonfiction is wrenched out by the aching, broken world I wake up to every morning.
Imagine a world full of brains, and far more memes than can possibly find homes. Which memes are more likely to find a safe home and get passed on again?
The Booker thing was a catalyst for me in a bizarre way. It’s perceived as an accolade to be published as a ‘literary’ writer, but, actually, it’s pompous and it’s fake. Literary fiction is often nothing more than a genre in itself. I’d always read omnivorously and often thought much literary fiction is read by young men and women in their 20s, as substitutes for experience.
I'm just one of those hopelessly romantic people so I don't think I'll ever run out of stories. I'm always looking for love. But I'm afraid now - by doing what I do - I've missed my chance to ever find it. That I'm destined to get burned again and again.
Fiction is lies; we're writing about people who never existed and events that never happened when we write fiction, whether its science fiction or fantasy or western mystery stories or so-called literary stories. All those things are essentially untrue. But it has to have a truth at the core of it.
Fiction writers have their own world, and poets have their own world, and literary criticism has sort of passed over into cultural studies in the university, and so on. They seem more disconnected from each other than they did when I first began to write.
Star Trek, I thought, was a very inconsistent show, which at times sparkled with true ingenuity and pure science fiction approaches, and other times was more carnival-like, and very much more the creature of television than the creature of a legitimate literary form.
What writers of fantasy, science fiction, and much historical fiction do for a living is different from what writers of so-called literary or other kinds of fiction do. The name of the game in F/SF/HF is creating fictional worlds and then telling particular stories set in those worlds. If you're doing it right, then the reader, coming to the end of the story, will say, "Hey, wait a minute, there are so many other stories that could be told in this universe!" And that's how we get the sprawling, coherent fictional universes that fandom is all about.
Will pushed his hands through his damp hair. “Oh, yes,” he said bitterly. “Perhaps in some other life, beyond this one, when we have passed beyond the river, or turned upon the Wheel, or whatever kind words you want to use to describe leaving this world, I shall find my friend again, my parabatai. But I have lost you now—now, when I need you more than I ever did!
The world has got more democracies than ever, and human rights are high on almost every country's agenda. Still, corruption and oppression are far too common threats to the democratic society. And we have seen a dramatic increase, the last 10-15 years, of ethnical conflicts and humanitarian crises with human rights violations as important elements., but also more of corruption. Human rights are praised more than ever - and violated as much as ever.
As a writer, I was deliberately creating an alternate world, and then populating it with experiences and people that I knew in this world, but I'd shake up the mix considerably. And about the same time that the memoir was becoming the dominant popular literary form in the mid to late 90s, I started reading writers who were deliberately playing with the notion of "truth" and "fiction" - that struck me as a much more interesting way to tell certain stories, particularly in the realm of comedy.
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