A Quote by Jim Starlin

Thanos and Adam Warlock are two of a kind because they're both sort of out of the norm: out of the circle of life and death that falls on top of everyone else. Both have had multiple deaths and resurrections, and they always seem to get pulled in as key players for cosmic events.
Birth leads to death, death precedes birth. So if you want to see life as it really is, it is rounded on both the sides by death. Death is the beginning and death is again the end, and life is just the illusion in between. You feel alive between two deaths; the passage joining one death to another you call life. Buddha says this is not life. This life is dukkha - misery. This life is death.
The two most mysterious things in our lives are birth and death. They are both miraculous events; one brings shiny, brand new life into the world, and the other snuffs it out like that. That person isn't there anymore.
I'm something of a black belt at break-ups. I have had two long-term relationships in my life, both of 10 years, both resulting in children, and both very much over. Things end. It is how you manage them being over that's key.
We were both very much the same. We were both very impulsive. We both loved life. We both loved shopping. We both had a love of clothes, obviously, because he was the designer that I kind of wore forever and ever.
There's a difference in our ages [with Leonardo DiCaprio], but we were both in the same sort of position [on The Quick and the Death movie].Everyone below us in a casting position were all these really famous character actors like Keith David. And they were looking at the two of us going, 'Who are these guys?' So that naturally kind of put us together in a way where we'd just hang out together because we didn't care about status. We just wanted to enjoy the experience. The two things that have changed about Leo [ DiCaprio] since that time: he can drink legally and he's no longer a virgin.
There have been only two taboos in the world: sex and death. It is very strange why sex and death have been the two taboos not to be talked about, to be avoided. They are deeply connected. Sex represents life because all life arises out of sex, and death represents the end. And both have been taboo - don't talk about sex and don't talk about death.
I often like to think that our map of the world is wrong, that where we have centered physics, we should actually place literature as the central metaphor that we want to work out from. Because I think literature occupies the same relationship to life that life occupies to death. A book is life with one dimension pulled out of it. And life is something that lacks a dimension which death will give it. I imagine death to be a kind of release into the imagination in the sense that for characters in a book, what we experience is an unimaginable dimension of freedom.
Both destiny's kisses and its dope-slaps illustrate an individual person's basic personal powerlessness over the really meaningful events in his life: i.e. almost nothing important that ever happens to you happens because you engineer it. Destiny has no beeper; destiny always leans trenchcoated out of an alley with some sort of Psst that you usually can't even hear because you're in such a rush to or from something important you've tried to engineer.
I don't know. I always sort of liked playing [Georgia] that second game because you could always count on them having two or three key players suspended.
Eve is a life giver; she is Adam's ally. It is to both of them that the charter for adventure is given. It will take both of them to sustain life. And they will both need to fight together.
D-Bo had a great game, so now a lot of teams, they're not sure what to do. They can't just key on me. They've got to key on both of us. D-Bo had a coming-out party.
I had to always decide - am I playing Will in the scene, or is it the monster, or is it a little bit of both? I had to show two different sides of one person in a scene. They were definitely very opposites, because Will is this sweet little innocent sort of kid, and the monster is fierce; he's intense. You really have to show both sides.
Brazil's always had great players, both at home and abroad, but we need to put all that talent together and mould a team out of it.
The key to looking great in the evening is to look original. Try to look different from others without looking out of place. When everyone else is wearing black, stand out in a bold, bright color. When everyone else is wearing dress that falls to the floor, shock them with a short gold brocade suit. But try not to overdo it. Focus on one thing: Will it be a statement neckclace, a stunning pair of earrings, or really big hair? You decide.
As children, Siddhartha and Jesus both realized that life is filled with suffering. The Buddha became aware at an early age that suffering is pervasive. Jesus must have had the same kind of insight, because they both made every effort to offer a way out. We, too, must learn to live in ways that reduce the world's suffering.
In enforcement, you always have to have both a focus on the really worst actors - you know, gang bangers, in this case, drug dealers, that sort of thing - but also routine enforcement because think about, for instance, the IRS. They don't say, OK, well, if you're not a money launderer, it doesn't matter whether you fill your tax return out right or not. They have both. They go after the really bad actors and they have a kind of general, routine enforcement.
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