A Quote by Jim Steinmeyer

Ultimately every trick succeeds or fails with an audience because of its plot. — © Jim Steinmeyer
Ultimately every trick succeeds or fails with an audience because of its plot.
I'm the type of guy who fails and fails and fails, and then, as if failure has become sick of him, succeeds.
The audience today has heard every joke. They know every plot. They know where you're going before you even start. That's a tough audience to surprise, and a tough audience to write for. It's much more competitive now, because the audience is so much more - I want to say sophisticated.
The audience today has heard every joke. They know every plot. They know where you're going before you even start. That's a tough audience to surprise, and a tough audience to write for. It's much more competitive now, because the audience is so much more - I want to say 'sophisticated.'
I am all for love, because love fails. You will be surprised - I have my own logic. I am all for love, because love fails. I am not for marriage, because marriage succeeds; it gives you a permanent settlement. And that is the danger: you become satisfied with a toy, you become satisfied with something plastic, artificial, man-made.
When I started in television, it was brand new. It was the miracle over in the corner of your room. Now the audience has seen every story line. People have heard every joke. They can predict the plot almost before a show starts. That's a hard, sophisticated audience to reach.
I think plot is very overrated. Plot is obviously necessary, but what I really care about is emotionally affecting the audience. Having a thought myself and then an emotional experience myself, somehow transferring that to the audience.
Prayer succeeds when all else fails
Gentle persuasion succeeds where force fails.
I don't think plot as a plot means much today. I'd say that everybody has seen every plot twenty times. What they haven't seen is characters and their relation to one another. I don't worry much about plot anymore.
A man who fails well is greater than one who succeeds badly.
Audacity succeeds as often as it fails; in life it has an even chance.
A lot of cop shows, because they have the restraints of having a new case every episode, the victims often become these kind of nameless, faceless plot points, and as an audience we don't feel anything for those people.
When Art struggles, it succeeds; when revelling in its own successes, it as singularly fails.
The only reward to be expected from literature is contempt if one fails and hatred if one succeeds.
People respond to a guy who is trapped and succeeds on some level and fails on another.
When cultural change succeeds, it succeeds because it's so embedded in what we do that we don't have to think about.
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