A Quote by Jim Sturgess
Out of every 10 scripts I get sent, seven are fairly generic about an American guy who gets the girl and is involved in underground espionage activity.
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Out of 10 projects I get sent, seven or eight are female protagonists, and that's not the only thing I'm interested in.
I do a bit called, 'You go, girl!' where I say, 'Don't tell me 'You go, girl!' I get it. I don't need you encourage me.' And nine times out of 10 after I finish the bit, some guy in the back will yell 'You go, girl!' I get a lot of that or 'I hear ya!' I don't generally - knock on fake wood - get mean heckling.
I'm a 6'4' guy who can run every route. I can get in and out of breaks like a 5'10' guy.
I often get sent scripts about little men in big situations. There's a comic element to it, which is forces stacked against this little guy, and how is he going to defeat them?
Sometimes I watch films that I can't believe got made. Especially because I read scripts that are truly incredible, that will never get made. I don't know who is behind those decisions. It's like you just have to doodle something on a page about the underdog who finally gets the girl and the film gets made.
You can get caught up in the game, just like everybody else in the park. But I can't play favorites and hope this guy gets a hit or that guy gets an out. I have to make decisions based on data and common sense. I have to manage every game to win.
I think there are a lot of people who are involved in the Tea Party who have very real and sincere concerns about spending that's out of control or generally philosophically believe that the government should be less involved in certain aspects of American life rather than more involved. And they have every right and obligation as citizens to be involved and engaged in this process.
I didn't want to be seen as just a guy on a list. I'm interested in good scripts, scripts that are about something, scripts that move your acting along.
I am not really interested in the comic book movies for example. They send me very violent scripts that don't interest me. One I was sent involved me playing a woman, a mother and wife who gets killed, shot in the stomach. It was a thriller and it did not excite me at all. So I turned it down.
Okay, I am happy with the way I look, but I have never, never, ever thought of myself as a 'pretty girl.' Honestly. When I read some of these scripts I'm sent, and they describe the heroine as 'incredibly beautiful,' I wonder why they sent it to me.
There's a reason why every successful person in Hollywood has like seven or eight projects up in the air at any point. It's like a 90 percent chance for each project that it'll never happen. Every project has about a 10 percent chance of getting made, unless you're like a Quentin Tarantino or somebody who just gets whatever they want to get done. But those are the rare cases.
If I was to direct a movie about a super-confident guy, first of all I would hate that character. I can do a super-confident guy who crashes and burns and has to rebuild himself as somebody humble. But a super-confident guy that just gets more confident and gets the girl and the money and more success? That's not interesting.
Oh, I get it, it's simple. PG means the hero gets the girl, 15 means that the villain gets the girl, and 18 means everybody gets the girl.
I'm not talking about what came later [after the American underground punk scene], indie music, or whatever you want to call it, but the music that came before that - that's an important story. So many interviews with musicians get the time or context wrong. You have these older bands, usually men, who tell stories about "Oh, we got into this huge fight, this guy punched that guy," that's the wrong sort of story. My view of the time is truly pioneering.
Hippy is an establishment label for a profound, invisible, underground, evolutionary process. For every visible hippy, barefoot, beflowered, beaded, there are a thousand invisible members of the turned-on underground. Persons whose lives are tuned in to their inner vision, who are dropping out of the TV comedy of American Life.
I want to make sure that every kid, every young boy and young girl in this country gets the opportunity to live their American dream. That's what the role of being in Congress and being a United States senator is all about.
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