A Quote by Jim Woodring
When I was a kid, I used to see apparitions and have hallucinations, and my entire perception of the world was badly disoriented. And I had kind of a chaotic childhood because of that. I've really hung onto it, though. Because I actually like those feelings.
Related Quotes
The action stuff takes a long time but when you're there and you're doing it and you go into that take and you run and everything is blowing up around you and you're diving onto something it's actually incredibly thrilling and you feel like a kid again. Like a kid, who used to play and pretend all those things would happen and now they're actually happening.
Movies used to be called the 'flicks' because they flickered badly: because 16 or 18 frames a second - which was those hand cranked movies on a single-bladed shutter - was really badly flickering.
Photography is such an important instrument in the education of our feelings and perception because of its duality. Photography represents the world we know, and suggests a world beyond what we can see. Creativity is the gap between perception and knowledge.
I have tender feelings for Nixon because everybody has warm feelings about their childhood. Actually, I didn't like the Watergate trials 'cause they interrupted 'The Munsters.'
My art originates from hallucinations only I can see. I translate the hallucinations and obsessional images that plague me into sculptures and paintings. All my works in pastels are the products of obsessional neurosis and are therefore inextricably connected to my disease. I create pieces even when I don’t see hallucinations, though.
I just think I've always been sensitive and had difficulty containing my feelings, and I've always searched for outlets for that, because otherwise those feelings come out in chaotic ways that aren't always great.
You're the hero of your own story. I had let go of my own story from my own childhood and whatever anger I had and I began to see it from a very different place. It's really easy to be like "This thing happened to me! Look what they did to me or are doing to me." These are such powerful ideas and it's so easy to hold onto them forever. When I let go of those ideas it was easier to see my childhood from different points of view.
I felt like the luckiest kid in the world because God had put me on the ground in Texas. I actually felt sorry for those poor little kids that had to be born in Oklahoma or England or some place. I knew I was living in the best place in the world.
When you're doing something you're not used to, you kind of realize that you're still a kid: even though the whole world around you sees you as an adult and you're expected to act like an adult, you still haven't actually grown up.
I met a woman in Albuquerque and she came and hung out with me in the trailer. It was really just more to kind of really understand my biggest concern was always the interrogation scenes. Remember, that's why I really wanted to meet somebody because you see those scenes on TV so much.
Your perception of the world is ... really a fabrication of your model of the world. You don't really see light or sound. You perceive it because your model says this is how the world is, and those patterns invoke the model. It's hard to believe, but it really is true.
Israel has a problem not because of the perception that the entire world is against us, but because of the government's problematic policies.
When I was a kid, the world was such a big place, and I had no idea that I would be afforded these great moments in between doing what I love to do. I'm able to actually choose places to go which have intrigued me for the last god knows how many years, and Tasmania's always been one of those places. I see it all and yet I see so little because it's so fast.
I was the worst, most sickly kid of all - 30 pounds underweight. The girls used to beat me up. Actually I was a mean kid, early on because I had no self-esteem.
I think for the longest time I used to be kind of embarrassed that if I hung out with someone that had a really, really strong personality, I would end up accidentally catching myself talking like them.
One morning, in cool blood, I slipped a noose about its neck and hung it to the limb of a tree; — hung it with the tears streaming from my eyes, and with the bitterest remorse at my heart; — hung it because I knew that it had loved me, and because I felt it had given me no reason of offence; — hung it because I knew that in so doing I was committing a sin — a deadly sin that would so jeopardize my immortal soul as to place it — if such a thing were possible — even beyond the reach of the infinite mercy of the Most Merciful and Most Terrible God.
Related Authors
Ai Weiwei Quotes
Chinese
Artist
Andy Warhol Quotes
American
Artist
Claude Monet Quotes
French
Artist
David Hockney Quotes
English
Artist
Gerhard Richter Quotes
German
Artist
Henri Matisse Quotes
French
Artist
Kehinde Wiley Quotes
American
Artist
Leonardo da Vinci Quotes
Italian
Artist
Marcel Duchamp Quotes
French
Artist
Marina Abramovic Quotes
Serbian
Artist
Maurice Sendak Quotes
American
Artist
Michelangelo Quotes
Italian
Artist
Paul Cezanne Quotes
French
Artist
Robert Genn Quotes
Canadian
Artist
Robert Henri Quotes
American
Artist
Yoko Ono Quotes
American
Artist