A Quote by Jimi Hendrix
A person would have to change himself in order to be a living example of what he's singing about.
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The monk in hiding himself from the world becomes not less than himself, not less of a person, but more of a person, more truly and perfectly himself: for his personality and individuality are perfected in their true order, the spiritual, interior order.
A man who says, 'I want to change, tell me how to', seems very earnest, very serious, but he is not. He wants an authority whom he hopes will bring about order in himself. But can authority ever bring about inward order? Order imposed from without must always breed disorder.
The Cross is not simply a lovely example of sacrificial love. Throwing your life away needlessly is not admirable — it is wrong. Jesus’ death was only a good example if it was more than an example, if it was something absolutely necessary to rescue us. And it was. Why did Jesus have to die in order to forgive us? There was a debt to be paid — God himself paid it. There was a penalty to be born — God himself bore it. Forgiveness is always a form of costly suffering.
And that is that they went about systematically understanding how to disrupt and change a person's entire processes. And these Taliban - I'm not trying to say the Republican Party is the Taliban - no, that's not what we're saying. I'm saying an example of how you go about [sic] is to change a person from their messaging to their operations to their frontline message. And we need to understand that insurgency may be required when the other side, the House leadership, does not follow the same commands, which we entered the game with.
In order to change the world, I guess a person would have to really get his head together first before he can say anything to the world, to change it.
I'd like to keep singing - whether that's small or big. To stop singing for a living would break my heart.
Very seldom will a person give up on himself. He continues to have hope because he knows he has the potential for change. He tries again - not just to exist, but to bring about those changes in himself that will make life worth living. Yet people are very quick to give up on friends, and especially on their spouses, to declare them hopeless, and to either walk away or do nothing more than resign themselves to a bad situation.
A person needs at intervals to separate himself from family and companions and go to new places. He must go without familiars in order to be open to influences, to change.
A person who doubts himself is like a man who would enlist in the ranks of his enemies and bear arms agains himself. He makes his failure certain by himself being the first person to be convinced of it.
A person who doubts himself is like a man who would enlist in the ranks of his enemies and bear arms against himself. He makes his failure certain by himself being the first person to be convinced of it.
A person needs at intervals to separate himself from family and companions and go to new places. He must go without his familiars in order to be open to influences, to change.
When I’m singing “Deanna,” for example, which I sing pretty much every night, it brings forward a kind of imagined, romanticized lie about this particular person, which I find really comforting and exciting to sing about.
When I'm singing 'Deanna,' for example, which I sing pretty much every night, it brings forward a kind of imagined, romanticized lie about this particular person, which I find really comforting and exciting to sing about.
I would want my son to value himself as a person. To hold himself to a higher standard, and to not listen to all the stuff that's shoved down men's throats about what they're supposed to do and how they're not supposed to feel. I want him to know that he's a person and he's allowed to have emotions and be vulnerable. That doesn't mean he's not strong.
Distraction is our habitual state. Not the distraction of the person who withdraws from the world in order to shut himself up in the secret and ever-changing land of his fantasy, but the distraction of the person who is always outside himself, lost in the trivial, senseless, turmoil of everyday life.
Establishing a style is important, it really is, but a lot of singers get so involved with their instrument, and more so than they do in what they're singing. I think you really have to think about what you're singing. You have to make the public believe what you're singing. And in order to do that, you have to believe it.
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