A Quote by Jimi Hendrix

I don't have nothing to regret at all in the past, except that I might've unintentionally hurt somebody else or something. — © Jimi Hendrix
I don't have nothing to regret at all in the past, except that I might've unintentionally hurt somebody else or something.
Nothing can hurt you except sin; nothing can grieve me except sin; nothing can defeat you except sin. Therefore, be on your guard, my Mansoul.
We can carry the burden of hurt throughout our lives. We can make the hurt that we have experienced the defining aspect of our stories of ourselves. That means that somebody else gets to say who we are, somebody else gets to decide how we feel, and somebody else gets to decide how we see the world. Forgiveness not only frees us from the burden of someone else's opinion of us, but it allows us the opportunity to really write a story of ourselves that we can love, enjoy, relish, and live into.
Any material can be treated in any number of ways. Sometimes I might hear something, or someone else might hear something, and say, "Wow, that sounds like classical music." Somebody else might think it sounds like a slow jam.
Finally, you had to measure yourself by other people - there really was nothing else. every now and then, quite unintentionally, someone taught you something about yourself.
Regret is something I wanted to write a lot about because once you make a decision, regret doesn't do anything except linger inside you.
Something is worth what somebody will pay for it. Nothing else, nothing more, nothing less.
That's why writing is important to me. Time goes past, and you've been somewhere and come back that hasn't hurt you, and you've been somebody else.
You're never going to regret working out or being active. You might regret not doing it, you might regret pressing that snooze button, but you'll never regret getting physically active.
This thing you carry inside you, I don't know what it is. I don't know where you got it. But Harry, the past is the past. You are alive today. That is all that matters. You must remember, because it is who you are, but as it is who you are, you must never, ever regret. To regret your past is to regret your soul.
Besides, whoever keeps the future in front of him and the past at his back is doing something else that's hard to imagine. For the image implies that events somehow already exist in the future, reach the present at a determined moment, and finally come to rest in the past. But nothing exists in the future; it is empty; one might die at any minute. Therefore such a person has his face toward the void, whereas it is the past behind him that is visible, stored in the memory.
Sitting quietly, doing nothing, not knowing what is next and not concerned with what was or what may be next, a new mind is operating that is not connected with the conditioned past and yet perceives and understands the whole mechanism of conditioning. It is the unmasking of the self that is nothing but masks - images, memories of past experiences, fears, hopes, and the ceaseless demand to be something or become somebody.
It's simple. Nothing exists except in relation to something else.
There is something about me that is collaborative, that wants to get the best performance out of somebody else or to hear something that somebody else has done that's good and to try and make it great.
When you're writing something new, writing something that's your own, basically you have nothing else to do except either invent a trick, use someone else's trick, or have no trick and get a bad performance.
I had a couple of experiences as a kid with animals where I hurt them, kind of unintentionally, and when I saw that a human being can hurt an animal it really affected me. And my kids...they became animal rights activists.
"What is my job on the planet?" is one question we might do well to ask ourselves over and over again. Otherwise, we may wind up doing somebody else's job and not even know it. And what's more, that somebody else might be a figment of our own imagination, and maybe a prisoner of it as well.
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