I've won my last four matches by knockout. Out of 30 fights, I've won more than 20 by knockout. I think that a ballet dancer wouldn't win by knockout.
Of course I would want the knockout, but with me, I just look for, you know, a spectacular performance. It's like, walk them down, or go for the knockout. You know, hopefully I get the knockout.
I'm not aiming for a knockout. I focus on doing my best. If the knockout comes, fine. If not, that's okay.
You know me: I'm a knockout guy. I'm always looking for the knockout.
I never go for the knockout, but the knockout comes because I train as hard as I do.
I do think Wilder can be a household name in America. He is a good fighter, and he has knockout power and has knockout potential, which is what you need as a heavyweight.
I fell in love with the knockout. I was in a relationship with the knockout.
Bruce Lee was an artist and, like him, I try to go beyond the fundamentals of my sport. I want the public to see a knockout in the making.
I switched to my new trainer Abel Sanchez to add versatility to my game. I'm coming to fight a serious fight. If I knock him out, it will just put another feather in my cap. I'm predicting a win, but I never look for the knockout because that's not my game plan. If my punches result in a knockout, so be it.
I'm excited to fight in Abu Dhabi and to compete against Roy Nelson because he's a dangerous opponent and demands a lot of respect and hard training to beat. He's a knockout artist and really well-rounded, so you need to be well trained to fight someone like him.
A lot of teams don't think I'm physical, although some do. Some say I can be physical at times, but they don't see the physicality all the time. I tell them, "Do you want a guy who is a knockout artist or do you want a sure tackler?" From what I know, all tackles, big or not, count the same.
I don't think you have to earn your income as an artist to be an artist. But if you are an artist, then art is what you do, whether or not you're paid for doing it; it is what you do, not what you are. I regard artist not as a description of temperament but as a category of profession, of vocation.
Judging your early artistic efforts is artist abuse. . . Remember that in order to recover as an artist, you must be willing to be a bad artist. Give yourself permission to be a beginner. By being willing to be a bad artist, you have a chance to be an artist, and perhaps, over time, a very good one
Why was the painting made? What ideas of the artist can we sense? Can the personality and sensitivity of the artist be felt when studying the work? What is the artist telling us about his or her feelings about the subject? What response do I get from the message of the artist? Do I know the artist better because of the painting?
I'm a recording artist, a performing artist and a producing artist. All those things have everything to do with the outcome of my shows. I get myself studying every part of the game and not everyone has the characteristic to do that. In my mind, you need all three to become an artist.