A Quote by Jimmy Bennett

It was a lot of fun working with J.J. Abrams. He got me to drive a Corvette, which was pretty awesome, and jumping out of it was even cooler. — © Jimmy Bennett
It was a lot of fun working with J.J. Abrams. He got me to drive a Corvette, which was pretty awesome, and jumping out of it was even cooler.
'Super 8' was a lot of fun. It was a lot of fun working with J.J. Abrams, who I think is a kid in a grown man's body, which is a great ingredient for any artist in our business. You have to be a kid at heart to be able to make believe, and his imagination is phenomenal.
It's a lot of fun, any time you can pick up a car is pretty awesome.
But you hardley even know him"she said."He could be a serial killer" "I did have that thought.I checked the apartment out,but if his got an ice cooler full of arms in it,I havent seen it yet.Anyway he seems pretty since.
One thing that was really dope for me was that my dad had a '78 Corvette, '78 or '76 Corvette all my life. It always needed to be fixed up. I remember it's just been sitting in the driveway for years, and I got it fixed from top to bottom for his birthday.
It was always fun for me, I loved baseball so darn much. By the hours I practiced, you'd have to say I was working a lot of hours, but it was pretty near tireless fun for me. I'd rather swing a bat than do anything else in the world.
Working on 'X Men,' I got to do a lot of flying and fighting, which was good fun.
I feel like that [the role in Star Trek] is a prime example of, yeah, I got that role and it was awesome, because it changed a lot for me professionally, but then creatively, it became a whole other thing, with J.J. [Abrams] and Chris [Pine] and the people I got to know. Now I just feel like it's our jobs to be open and to keep moving stuff forward. I don't know what that means. This is the first time in a long time that I have no idea what's happening next. As scary as that is, and as anxiety-provoking as that can still be, it's also really exciting.
I really want to meet and work with JJ Abrams. Everyone talks about what a nice director he is, and he has kids and stuff, so he sounds really awesome, not to mention he makes awesome movies.
You forget about it, after awhile. You forget that you even have it on. It becomes part of you. You get used to it, even the teeth and the contacts, which bothered the hell out of me. It ends up being something that is part of the role, and part of the thing that you're doing. After awhile, it just feels pretty damn awesome.
Part of the fun of working on 'Beverly Hills, 90210,' for me, was that I got a lot of freedom from our executive producer, Chuck Rosen, to add things, change things. I got a lot of freedom to be creative.
I'd love to drive a Lamborghini, but I think it's hard when the pedals are way down in there, and you sit real low, but I've come up with some pedal extensions. I actually sit in a kids' car seat that my old boss put this beautiful leather wrap around, and it looks just like a Corvette seat that sits on top of my leather Corvette seat.
If you've got a Corvette that runs into a brick wall, you know what's going to happen. He's a Corvette. I'm a brick wall.
I love my bandmates, and they're my friends, and even though we had fun and got to tour and I got to play the drums a lot, which I'll always appreciate, we had a really rough time. We toured and tried to get people to come to our shows and put out records, and we really struggled.
With sports and games, you have fun despite working very hard, even despite failing repeatedly. Even the fun of a night out, you have to get somewhere and do all the conversational, social work of being out. There's effort involved. But then when you're finished, you can conclude, "Actually there was something gratifying about the hardship that I just encountered." That discovery of novelty is where the molten core of fun is.
Working on Drive, a lot of fun. This is Tim Minear whom I've worked with before on Firefly of course. He called me up and said I've got a part for you that you will love and I love Tim's writing. I love his stories. I love his characters, his dialogue. He has a knack for reveals and he has a knack for moments.
Working on 'Drive', a lot of fun. This is Tim Minear whom I've worked with before on 'Firefly' of course. He called me up and said, 'I've got a part for you that you will love,' and I love Tim's writing. I love his stories. I love his characters, his dialogue. He has a knack for reveals and he has a knack for moments.
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