A Quote by Jimmy Buffett

What would Pop-eye do in a tight spot like this? — © Jimmy Buffett
What would Pop-eye do in a tight spot like this?
A writer, like a sheriff, is the embodiment of a group of people and without their support both are in a tight spot.
Although we have to do a tight three-point turn when leaving work, I pride myself on my driving skills. I'm not intimidated by a tight spot of parallel parking, passed my driving test first time and was always the designated driver in my group of friends.
As an organization, would we like to be in a better spot Everybody would like to know they're in the playoffs. But that's not a reality, year after year being in a playoff spot with 10, 12, 15 games left. We don't have that this year, so our playoffs have started.
I think pop music was going through a phase where it was like pop but dance-hall or pop but R&B. But, no, I just want a pop song.
It's strange: I love pop music, and I really can enjoy it, but I didn't feel like the characters within pop music - like when Madonna sings 'Crazy For You', for instance, I don't feel like I would ever be the character she takes on in that song. I would never feel... I don't have that confidence in me.
The world is like an eye, a beard, a spot of beauty and eyebrow, Where each thing is neatly in place.
I've always had an ear for melodies, and they veer pop. My lyrics are more country - what I love is the storytelling and the structure, how tight the rhymes can be. But pop melodies have always been intrinsically linked to my writing style.
I woke up my pop in the middle of the night 'cause the boogie man's under my bed. My pop is this big, huge man, nothing can hurt him. I went running into his bedroom like, 'Daddy, Daddy, the boogie man's under the bed!' Pop opens one eye, he's like, 'Is the boogie man bigger than me?' 'Well, no Daddy, he's not.' 'Well, you got your choice: you can deal with the boogie man or you can deal with me.'
The time to pray is not when we are in a tight spot but just as soon as we get out of it.
I think 'pop' can be a bit of a dirty word. People are very cool in Australia. They don't like to admit that they like pop. There are people who listen to Triple J and cool stuff like that, but commercial radio is massive, and if you look at the sales of the pop songs every week, people love pop music.
Games is like hardwired plumbing in the house of pop. It's not pop itself, its sort of like the behind-the-scenes arteries and capillaries of pop music.
On the first album, we were trying to do a pop-punk album with a classical influence. We'd say 'pop-punk,' and people would say, 'No, you're like burlesque-cabaret-punk,' or, 'It's baroque-pop,' and we were like, 'That sounds way cooler.'
Pop culture used to be like LSD – different, eye-opening and reasonably dangerous. It’s now like crack – isolating, wasteful and with no redeeming qualities whatsoever.
Actually, if I could deliberately sit down and write a pop hit, all my songs would be pop hits! Let's put it this way. I play what I like to hear. And sometimes I like to hear something poppy, and sometimes I don't.
And I would stop and take you in, all of you, and when our eyes lock we'd just stare into each other's souls and all of the lost time would come out in the shape of a big smile, a few tears and a tight hug that feels like...I don't know, it would feel like home.
I really felt like 'Chandelier' was a big pop song. But we weren't sure what would happen if I wasn't willing to show my face and do promo and go on tour and do the traditional kind of pop strategy. So I had no expectations.
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