A Quote by Jimmy Buffett

Instinct taught me 20 years ago to pace a song or a concert performance. That translates into pacing a story, pleasing a reading audience. — © Jimmy Buffett
Instinct taught me 20 years ago to pace a song or a concert performance. That translates into pacing a story, pleasing a reading audience.
Because of an off-hand funny comment I made backstage at a concert years ago, a story circulated that the song has been a burden and even that I didn?t sing it for a while. That?s completely false. I am very proud of ?American Pie? and the many satellites that grow from it and revolve around it. For many years I carried my songs around and now they carry me around. I have always sung ?American Pie? for my audience and would never think of disappointing them since it is they who have given me a wonderful life and untold affection for almost 30 years.
While the concert is instant communication with the audience, composing is a creative process where a song comes up out of nowhere and then transmits happiness to many, translates into money, fame, or whatever.
If you look at Hollywood today, compared to five years ago, 10 years ago, 20 years ago or 30 years ago, the change from moment to moment has always been extraordinary. It never stops moving.
It makes me forget that I'm not going to be a major star and lead female in films whether it was 20 years ago, 10 years ago, five or in the future.
Thank God, 50 years ago I learned that our entire business is all based on two things; a great song and a great story. Film, television, if you don't have that story, nothing else matters. You don't call anybody else or direct anybody. The same with a song. A great song can make the worst singer in the world a star.
I'm not blowing my own trumpet here, but I made a rap song 20 years ago with Afrika Bambaataa.
I was taking my first uncertain steps towards writing for children when my own were young. Reading aloud to them taught me a great deal when I had a great deal to learn. It taught me elementary things about rhythm and pace, the necessary musicality of text.
I really enjoyed reading the writings of Fredrick Buechner, I havent read anything by him in probably a decade but about 20 years ago I read four or five books of his and it helped me.
Bochy is my guy. He raised me in the game; I was 20-years-old and as green as any grapes as you've ever seen on a vine. He took care of me, taught me how to be a professional, and taught me how to get my work done.
I visited Paterson many years ago - 20 some years ago as a kind of day trip because of William Carlos Williams, because of Allen Ginsberg having lived there. And I went to the Great Falls and sat really in the exact same spot as Adam Driver does as Paterson. And I walked around the factory buildings, and I was rereading - I was reading at the time the epic length poem "Paterson" by Williams.
I like to use things that didn't exist 50 years ago, or 20 years ago even.
An audience will let you know if a song communicates. If you see them kind of falling asleep during the song, or if they clap at the end of a song, then they're telling you something about the song. But you can have a good song that doesn't communicate. Perhaps that isn't a song that you can sing to people; perhaps that's a song that you sing to yourself. And some songs are maybe for a small audience, and some songs are for a wide audience. But the audience will let you know pretty quickly.
We just want to grow at a reasonable pace. Supreme hasn't changed for 20 years, and that feels very simple to me.
America is much less violent than it was 20, 30 years ago, and immigration is much less a problem than it was not just 20, 30 years ago, but when I came in as president.
The first concert I attended was an Elvis concert when I was eleven. Even at that age he made me realize the tremendous effect a performer could have on an audience.
If you're up there performing a song for the first time, it's as if you're hearing it through their ears. You become acutely self-conscious of the song in performance, so that's a good thing before recording. But I like to have some surprises for the audience; I don't want the audience to know everything that's going to be on the record, because these days, with the Internet, people become avid collectors of pre-knowledge.
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