A Quote by Jimmy Bullard

My image has always been big for me. — © Jimmy Bullard
My image has always been big for me.

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Writers would hate me saying this, and I love words, but I have to say that cinema exists, on one level, for the power of the big image and what that image does.
We can't be tamed at all. We've never been that kind of group. We always used to talk about how our image was as big as our sound.
My mom has always been a big advocate, especially in the gay, lesbian, transsexual and bisexual community, so for me it's always been a part of my soul.
Because I have been bullied and attacked about my body, body image has always been an issue for me.
Show me a man or a woman alone and I'll show you a saint. Give me two and they'll fall in love. Give me three and they'll invent the charming thing we call 'society'. Give me four and they'll build a pyramid. Give me five and they'll make one an outcast. Give me six and they'll reinvent prejudice. Give me seven and in seven years they'll reinvent warfare. Man may have been made in the image of God, but human society was made in the image of His opposite number, and is always trying to get back home.
In a way, it's like the photographer always has his vision of me. The pictures that I'm known for are not really my image, they're always the photographer's vision of me. I can look a hundred different ways, but what people see of me in pictures is not really my image.
Man may have been made in the image of God, but human society was made in the image of His opposite number, and is always trying to get back home.
That's the nature of representation; every time we represent something we alter it and slightly change it. And so with that as my foundation, understanding that it's always fictional to some degree, I give myself a certain freedom to really explore and ask myself questions. What might not have been understood at that time? What might have been hidden at that time? What narrative in this particular image wasn't the primary image, but is really important? That is really interesting to me, and then I try to tease that out as much as I can.
I grew up with a family that kind of always took care of me. They were always doting over me and I was always like a helpless little child. I think it's been a really big learning experience to be on my own and realize I can conquer things without having someone rescue me.
For me, I feel like horror space has always been a space of the other, even when it's not people of color or black people. That has always drawn me to it, and I've been a big fan.
Also I just think I've been lucky enough to have great parents, and I've had good people around me who have always been honest with me, who would give me a purely metaphorical slap if I ever got too big for my boots.
My mom is big on moisturizer and water. She always reminds me to drink a lot of water and wear sunglasses because I always forget them when I go out, even though they are one of my favorite accessories. She always reminds me about wrinkles, and always did, so it's kind of been ingrained into me.
You're a person a lot longer before and after you're a professional athlete. People always say to me, 'Your image is this, your image is that.' Your image isn't your character. Character is what you are as a person. That's what I worry about.
I make one image—though 'make' is not the right word; I let, perhaps, an image be 'made' emotionally in me and then apply to it what intellectual & critical forces I possess—let it breed another, let that image contradict the first, make, of the third image bred out of the other two together, a fourth contradictory image, and let them all, within my imposed formal limits, conflict.
I always mistrust everything I see, which an image shows me, because I imagine what is beyond it. And what is beyond an image cannot be known.
Dancers have always been a kind of background image, we've always danced behind an artist or we've danced in a movie behind the actors. We've always been very secondary.
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