A Quote by Jimmy Carr

I love those people who do story-telling and who ramble on, but I don't do that, I tell jokes - the sort of jokes that anyone really could tell in the pub. — © Jimmy Carr
I love those people who do story-telling and who ramble on, but I don't do that, I tell jokes - the sort of jokes that anyone really could tell in the pub.
There are jokes I know I want to tell, and there's sort of a rough order, but usually I try to change it up every show, to improvise and talk with the audience. I think when you tell jokes, if you're not careful, you can end up telling the whole list of jokes and then that's it. And that can get a little boring.
I learned all those jokes in second grade. Second grade is really where they tell you those horrific jokes, racist jokes and misogynistic jokes that you have no idea what they mean, and you just memorize them because they have a very strong effect, they make people laugh in this kind of nervous, horrible way, and it's only later that you realize that you've got a head full of crap.
One of the great things about us Jews is that we tell the best jokes. Part of the reason is we tell jokes against ourselves - before anyone else gets to do it.
I hope I never have to stop acting. I love it. But, I think the coolest thing about acting is working with these amazing people all the time, and writing represented a new way to meet those people and to tell stories, at the same time, which I've always wanted to do, and to tell jokes. I love comedy, so writing was a way of getting these jokes that I had down on the page.
I don't really want to tell jokes about trivia; I'd kind of rather tell jokes about things like life and death.
My gift was in comedy. I found out I could make jokes. I could tell jokes. I could write them. So over the years, that's what I've done.
I think of myself as a writer with a sense of humour rather than a comedy writer. Happy to tell a story with lots of jokes in it - I wouldn't know how to do jokes without the story.
You have to begin to develop a repertory of jokes, multi-plane spiritual jokes, the sort of things the Zen masters tell each other when they're asleep. These are the secret teachings.
I've told Michael Jackson jokes. If you got really technical, you could say those are jokes about child molestation. You could, if you got technical. A lot of this is just selective outrage because honestly, the audience are the ones that tell us that something shouldn't be spoken. The audience lets us know. And I've never, in my almost 30 years of being a comedian, seen a comedian continue to tell a joke that the audience doesn't respond to. I've never seen it.
With Twitter, it's a little harder to tell jokes that somebody hasn't heard already. You have all these people out there sharing their opinions and telling jokes in real time, and by the time you get on, somebody's already done some version of what you're trying to do.
My parents are really funny. Laughter was a big part of my childhood. Of course, they tell a lot of bad jokes - but so do I. I tell a lot of bad jokes.
I tended toward animated material that wasn't just for kids. I could tell as a kid watching those shows that I loved the jokes that I got but I also loved the jokes I didn't get because I felt that I was hanging out with a smarter, cooler audience.
Jokes rot. They're not like songs. I always envy singers - Sting is always going to sing 'Roxanne'. But people want to hear new jokes. I've written jokes as good as 'Roxanne', I believe. But I can't tell them again.
The Australian sense of humor is very dry, sarcastic, and very undercover. Like if I tell any jokes in America, people just think I'm serious! So I just quit telling any jokes whatsoever.
A lot of people get into stand-up as a back door into acting or something. But I really like writing jokes and telling jokes.
I was on the school bus telling Richard Pryor jokes. I was sneaking, listening to Richard Pryor albums and would go to school the next day, tell all the jokes, and get in trouble because I was cursing.
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