A Quote by Jimmy Chamberlin
No one writes about the emotional things you go through.
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It's so sad that no one writes down the things we go through, and even worse - no one will ever know about it, no one will ever see or hear about it, no one will ever be able to restore.
I think that Chad Gray is one of the most honest, emotional, real vocalists there is; he really takes a lot of pride in writing the lyrics, takes a lot of time with them. He writes and re-writes more than just about anybody I've ever been around.
I think about the game plan, and then I go through all the little things that are almost impossible to do. If you go through those things in your mind, you can do them.
One writes not to be read but to breathe...one writes to think, to pray, to analyze. One writes to clear one's mind, to dissipate one's fears, to face one's doubts, to look at one's mistakes--in order to retrieve them. One writes to capture and crystallize one's joy, but also to disperse one's gloom. Like prayer--you go to it in sorrow more than joy, for help, a road back to 'grace'.
I give credence to the worst things somebody writes about me, and if somebody writes something nice, I think they're wrong or false or lying or joking.
[What I want to communicate] doesn't have a language with which I can communicate it. The things that I want to communicate are simply self-evident, emotional things. And the gifts of those things are that they bring both intellectual and emotional gifts - understanding. But I don't really have a major message that I want to bring to the world through my music. The music can tell people everything they need to know about being human beings. It's not my information, it's not mine. I didn't make it. I just discovered it.
I get inspired by what I go through. Experiencing all these different things we all go through like heartache, falling in love, watching a family member or a friend going through [something], and trying to write about it from a different perspective.
There's this idea of a star, and this person is very aloof and writes all the music, and they don't talk to anyone unless they go through the record label. And I always felt very uncomfortable about that.
The paradox is that, by children taking shortcuts through computer games, through fantasies, through movies that load on all the emotional stimulation of encountering life in a stylized way - all of this is the equivalent of mainlining of paleolithic emotions, emotions about combat, about personal success, about overcoming monsters, about making powerful friendships, about winning wars and entering new territory.
Today, financial capital is no longer the key asset. It is human capital. Success is no longer about economic competence as the main leverage. It is about emotional intelligence. It is no longer about controls. It is about collaboration. It is no longer about hierarchies. It is about leading through networks. It is no longer about aligning people through structures and spreadsheets. It is about aligning them through meaning and purpose. It is no longer about developing followers. It is about developing leaders.
The happiness we seek cannot be found through grasping, trying to hold on to things. It cannot be found through getting serious and uptight about wanting things to go in the direction we think will bring happiness. We are always taking hold of the wrong end of the stick. The point is that the happiness we seek is already here and it will be found through relaxation and letting go rather than through struggle.
I was probably about fourteen I think, and probably like every boy who's fourteen that writes a song, it was about a girl. It was about a girl who I really liked, but she didn't like me as much as I liked her. I think most guys go through that.
I think that when we're looking at things when we're right in the center of things, as opposed to being a bit unmoored from what's going on around us, we see things through a kind of dulling lens of convention, and there's something about extreme emotional experiences that gives us a heightened clarity, I think, of thought and of feeling.
Most of what I've written songs about are things that come out of the confusing emotional, spiritual and psychological period of time when you're going through puberty.
As teenagers, we go through social, emotional and physical changes... and sometimes, to feel comfortable, we end up doing things that are not true to who we are just to fit in and feel loved.
I'm nosey, and I have a great imagination. So it's not necessarily things I have to go through, but it's things people I know or my family is going through, and I hear about it, and I think, 'That sounds like a great song.'
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