A Quote by Jimmy Cliff
In the country, people are kind. In the city, people are hard an' cold, like the concrete and steel.
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I grew up twelve miles outside of Montego Bay. In my early teens, I went to Kingston. It was like a different planet for me. In the country, people are kind. In the city, people are hard an' cold, like the concrete and steel.
I fell in love with New York. It was like every human being, like any relationship. When I was a young New Yorker, it was one city. When I was a grown man, it was another city. I worked with many dance organizations and many wonderful people. In the '90s, it became kind of a hard and unwelcoming city in many ways. It became conservative, like the whole country.
People often think of New York as a city, a concrete jungle with soaring skyscrapers and yellow taxis and the bright lights of Times Square. And it is that, in part. But beyond that, it's rolling hills of fruit orchards and fields of grain and ice-cold waters brimming with oysters.
Gothenburg's definitely a music city as well, but I think just because of the weather - it's so cold and miserable - people stay in. Coming to the States and going into the store and people are like, "Hi, can I help you?" - I'm not used to people randomly talking to me that I don't know.
Trump, who in his own history as a developer preferred mob concrete and Chinese steel to the variety produced in the Rust Belt, cannot bring back the steel and manufacturing jobs lost in Lorain, Ohio or western Pennsylvania.
Listen to us rather than to Arkady Mamontov talking about us. Don't twist and distort everything we say. Let us enter into dialogue and contact with the country, which is ours too, not just Putin's and the Patriarch's. Like Solzhenitsyn, I believe that in the end, words will crush concrete. Solzhenitsyn wrote, "the word is more sincere than concrete, so words are not trifles. Once noble people mobilize, their words will crush concrete."
When I'd tell people I like country music they'd get this look on their faces. People were kind of ashamed of country.
The alcohol smell is on my fingers, cold and remote, piercing like a steel pin going in. It smells like white enamel basins. When I look up at the stars in the nighttime, cold and white and sharp, I think they must smell like that.
In Brazil, even inside the same city, people from different parts dress differently. Sao Paulo, for example, is more connected to global trends and urban movements. Rio de Janeiro is more influenced by the beach, and has a sort of Cali vibe with the way people dress. Porto Alegre down in the south has a hard winter, so people have to dress to face the cold days.
I love being around people who work with their hands, who do the hard things to keep our country going. They're just my kind of people.
When I'm doing a store in a country, I always like to consider the concept of the country and the city. Ask what are the clothes of the city, what does this city represent for me?
It's hard when the worst people in the country are cheering, the people with the confederate flag, the people that do anti-Semitism on Twitter, that's difficult for a lot of people in this country. But, you know, I do think an inaugural, for example, is almost always an act of national healing.
New York is just New York. It's a hard city, it's a hard city to live in. It's a desperate city. It's filled with scam artists and people who are always looking for a way in and a way out and the majority of people have to really negotiate their way through that jungle to get to the other side; the other side being a place of tranquility and peace and home and safety.
Brazil is a country that has rich people, as you have in New York City, as you have in Berlin or in London. But we also have poor people like in Bangladesh or in African suburbs.
In the past things were either in your head (subjective, imaginary, fantasy) or else they were part of the outside world - cold, hard, concrete materialistic reality. If you want to look at it in terms of poetry, there was surrealism and objectivism. Now there's the veil of the virtual in between. The old opposition between inner and outer doesn't quite capture it, especially as it contains elements of both. It's real but not concrete.
We don't talk about that at all as a country. I think that most people assume that there's nothing they could do if a nuclear bomb went off in their city. And that's just not true. Most people would survive most terrorist nuclear attacks because the bombs would likely be much smaller than those we were dealing with in the Cold War.
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