A Quote by Jimmy Cliff

The music that I represent and helped to create and establish was born in Jamaica. — © Jimmy Cliff
The music that I represent and helped to create and establish was born in Jamaica.
Obviously, I rep Jamaica. I'm a first generation born Jamaican-American. My parents are born and raised in Jamaica, my grandparents are born and raised in Jamaica, my other family still lives in Jamaica, and I still go back there.
I've been in Africa, America, moving around a lot. It's helped me to open up my mind. I was born in Jamaica; I've lived all my life there and got all I could from Jamaica. But I needed to be somewhere else to grow.
When you see a Jamaica video, it's always the hood. Everybody in the video's got guns, and the world looks at it like that's what Jamaica's about. And it affects the economics of the music.
Recording in Jamaica is like nothing else. The studios are always closed in America. But in Jamaica, the studio doors are wide open, and there's music blasting out in the street. You can see the reaction of people immediately.
Jamaican music can be aggressive, soulful, smooth and exciting all at once - just like hip-hop. At the same time, there's nothing like Jamaica in the United States. Jamaica is its own thing.
I wouldn't have become an engineer, I wouldn't have done what I did, had a hand not been held out to me. I have to remember who helped me when I needed help. The people of Jamaica helped me. I can't forget that. I would be ungrateful if I forgot.
He was born in 1741, a descendant of the Rhode Island equivalent of royalty. The first Benedict Arnold had been one of the colony's founders, and subsequent generations had helped to establish the Arnolds as solid and respected citizens.
My dad came from Trinidad to Jamaica when he was 19. He had to go to Jamaica to join the British regiment, where it was based. After Sandhurst, he returned to the Caribbean as a junior lieutenant, based in Jamaica. He met my mum and became a Jamaican citizen.
Since social relationships are always ambiguous, since my thought is only a unit, since my thoughts create rifts as much as they unite, since my words establish contacts by being spoken and create isolation by remaining unspoken, since an immense moat separates the subjective certitude that I have for myself from the objective reality that I represent to others, since I never stop finding myself guilty even though I feel I am innocent.
Obviously the music I listened to growing up helped create my musical pallet. My parents were into pop, soul, disco, RNB, Latin, jazz and Middle Eastern music.
When I'm in Senegal, I can't just sit in isolation making music. People need my help. And the Senegalese people helped create my music. It comes from the country itself.
I create music; I create painting; I create whatever I want to create. I create, what you say, clothes. I create, I don't know, dance move. I create anything.
The music helped me sympathize with our young generation and also empathize with them. I'd like to create and write more music that represents them.
Even the greatest musicians, they only represent themselves. You represent who you are and what your experiences are and what you have in your heart, and it's the same for me. I represent who I am and what I've been through and what I'm bringing to the music.
Even if I wasn't in music, even if my father was a carpenter, some guy in Jamaica would go 'You're just like Bob. You're just like your father.' That happens in Jamaica all the time.
You just have to love yourself and live and die with the passion of the music. I walk around happy as hell because I create music for a living. I can touch the world with my heart and my passion. Music has dominated life well before I was ever born.
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