A Quote by Jimmy Fallon

I didn't act like I was there. I just got into the story. — © Jimmy Fallon
I didn't act like I was there. I just got into the story.
When you move the camera, or you do a shot like the crane down (in Shawshank) with them standing on the edge of the roof, then it's got to mean something. You've got to know why you're doing it; it's got to be for a reason within the story, and to further the story.
I actually was a good student, but I never applied myself 'cause I was always like, 'I don't love doing this.' I wasn't passionate about school. I always got a B just to pass. But what's crazy is I got a 29 on my ACT test without even studying. So I was always, like, just smart - but never really cared.
My act now is completely different. I took two years off when I first got with my wife and it was because my old act was all about "Where's the party after this?" I was humping the stool and it's all so disgusting and I was miserable, miserable in a lifeless angry marriage. Then I met my wife and I was completely happy. Like a snake that sheds its skin. I just got rid of all of that negativity.
I always have the best story at the party. Anyone telling a story at a party is like, 'No, no, you've got to listen to my story!' I'm like, 'Step aside, everybody. I'm going to blow the doors off this place.'
You see a guy with one leg, he's got a story. "Land mine '69." You see a guy with one arm, he's got a story, too. "Snow blower, bottle of whiskey." You see a guy with one tooth, what would the story be? "Well, uh, I like a lot of taffy."
There's just something about being on stage and being with the people that, once that camera turns on, you find the strength to keep it cool, look good, act like you're not cold, act like you ain't nervous, act like you aren't scared. I think that comes with confidence and practice.
If you want to be a Champion, you've got to feel like one, you've got to act like one, you've got to look like one.
Turn inward and say to yourself "I'm just gonna do it". That mindset got me to where I am now. I look at the industry like it's a giant mall, and I have a little store - this what I'm selling: I do stand-up, I've got a podcast, and occasionally I act.
If you have to tell a story without speaking, it's sort of like - I come from a dance background, so it's like a ballet where you have to tell a story with just your body. I think that's really interesting to have to tell a story with just your face and your mannerisms, and I'd like to tap into that world.
I got out of autobiography because my story is, I was famous, it was hard for me, I got into therapy. I had trouble with food, I got a nutritionist. There's no story there.
I'm not trying to act like I'm Superman or better than anybody else in the game. I'm just telling my story, showing my strengths and weaknesses - as a human, as a person, as a man.
I've got a motto. When the posse's chasing you out of town, you just act like you're the head of a parade.
The sexual act - thinking about the sexual act, the telling about the sexual act, after the sexual act, is so much more important than the actual sexual act - just in time. It's like of the whole sexual act, you probably spend 95% of the time thinking about it, talking about it afterwards. The actually sexual act, especially when you're 17, is minutes.
I think that when I'm telling a story, I'm doing the best I can to tell the story as fully as I can, and if there are various fractures that happen in the story, then that's just the very thing that the story is as opposed to my looking for avenues of difference in one story. They just really do exist. For me, anyway.
Everybody's got one killer story. It doesn't take talent to tell that story, it just takes experience.
Telling the story with only a few shots, I love that style. It makes you feel like you're part of the action, part of the story. It reminds me of the theater, where one act is basically like one long shot. It almost makes you forget that you're seeing a movie.
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