A Quote by Jimmy Iovine

Every room that you walk into is better off that you're there. — © Jimmy Iovine
Every room that you walk into is better off that you're there.
Auditioning is a funny one. It's all about energy. If you walk into a room and the room feels off or the people feel off, that can set you off. If the room is very small. I know which casting directors I should go to, because the place is conducive to doing a good job and the people are conducive and I know the other ones aren't, in which case I send in a tape.
In a world of fixed future, life is an infinite corridor of rooms, one room lit at each moment, the next room dark but prepared. We walk from room to room, look into the room that is lit, the present moment, then walk on. We do not know the rooms ahead, but we know we cannot change them. We are spectators of our lives.
That's what it is every time you walk into the room to write with someone new. It's like, oh god I have to take my clothes off 'my creative clothes' and let them see all of my flaws.
You are life, inventing form. No more can you die on sword or years than you can die on doorways through which you walk, one room into another. Every room gives its word for you to speak, every passage its song for you to sing.
There are confirmed stories of people who can break instruments and cause them to fail by walking in a room. I'm the opposite - I can walk into a room and something will work better than it is supposed to.
If you walk into the room, and you're smiling and have a pep in your step, people are going to be drawn to you. If you walk into a room and you're sad and you look insecure, it's bad energy.
I’m LeBron James, from Akron, Ohio, from the inner city. I’m not even supposed to be here. That’s enough. Every night I walk into the locker room, I see a No. 6 with James on the back, I’m blessed. So what everybody says about me off the court, don’t matter. I ain’t got no worries.
I will be the first to say, when I started, I was the worst on the runway ever. I feel like I try to keep learning every time I step off a runway; I try to get better with each one. I hope that I'm getting better as I go - it takes a few seasons to get your Karlie Kloss walk on.
I definitely need to take a look at several positions. I'm going to be playing a little everywhere. As much as I know at every position is better off for me and is better off for the team.
I think I know that I deserve better. And so I try for better. I'm never so put off that I would ever walk out of a place not having tried the best I could.
If I walk into the editing room, it's six hours lost. I'm massaging frames. I'm, like, 'Oh, take six frames off that shot. Hit the music cue right there.' I will drive everybody crazy if left to my own devices in that room. So I try to do everything I can by staying out of the way.
I mean, I'm obviously not one of those people who's so beautiful women take their clothes off when I walk into the room. I didn't become a star overnight.
On the way to truth, walk with the crowds or walk all alone; but walk always and walk under every condition!
As much as I hate auditioning - it's so hard and awkward - it's way better to walk out of that room and win a role because of what you did.
I walk so fast, I talk so fast, I could turn the light off and be in bed before the room's dark.
Paris is a beautiful city to walk around in. And, you know, all the obvious things: I like the museums, I like the theater, I like the dance. And it's manageable. The food's good. I know a lot of interesting people here. I lived in Boston for 50 years or more. Wherever I am, I'm usually holed up most of the time in the editing room, and so, when I leave the editing room, even if I just take a walk, it's gorgeous. And I walk everywhere. I'm a victim of the seduction of Paris.
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