A Quote by Jimmy Iovine

The lousy guitar player in any band is the bass player. — © Jimmy Iovine
The lousy guitar player in any band is the bass player.
Later in high school, I met Hillel Slovak, who was the original guitar player of the Chili Peppers, and we became really close. We had a band, and we didn't like the bass player, so I started playing bass, and I got a bass two weeks later.
I've been in a band, so I understand the politics. Sometimes the bass player doesn't like what the guitar player is doing, and you have to sort of even that out.
Everybody besides my piano player has been with me since the very first day. We were a four-piece band for a solid two years. It was me playing acoustic and rhythm electric guitar, a bass player, a drummer and a lead guitar player. For a couple of years, we sounded like the Foo Fighters.
I think people forget even though we were labelled a synth band because of 'The Hurting,' but keyboards are not our native instruments. Roland's a guitar player and I'm a bass player.
Without getting real personal, we liked our bass player Ed. He was a great guy and he was a good bass player but his playing was suited for a different style of band.
I used to aspire to being more of a traditional bass player, to be honest. People say I play it like a guitar - and I was a guitar player when I was growing up. I started learning when I was eight, and that's what I was fascinated with in my teen years.
A bass player has to think and play like a bass player. A drummer has to play and think like a drummer, and stay out of the way of the vocalist. The guitar player has to respect everybody else.
I'm a bass player from way back and Paul is a guitar player and we've been in many bands.
The thing I like to do when I'm making records is to keep it exciting, as opposed to, 'There's a bass player, guitar player... ' Just a little variety.
To be a great band it's like you have that telepathy. You know when the bass player's in back of you without even looking. You know when your guitar player's coming up to you to lean up to you and sing into your microphone. You just know these things. You feel it. You feel the energy of it.
I was a guitar player in a band that had two keyboard players, sometimes two other guitarists, a bass player, and a drummer, four or five singers, and percussion. We did a two-and-a-half hour show where the music spanned from the early Sixties to the present. Whereas the David Lee Roth thing was like, Now. Very big and intense.
I didn't start off as a bass player, and Guns was the first band I really, like, 'Oh, I'm gonna be a bass player. This is what I'm gonna do.' And I really dove into it head first.
I don't ever have any bass in my monitors at all; I instead like to lock in with the guitar. I know the bass player has got to be locked in with the drummer, but to me, metal music is about the guitar and drums locking in and operating like a machine together. I played with my brother forever, and we were magically locked in together.
I like Jaco Pastorius' 'Portrait of Tracy.' He was this bass player who played jazz fusion. He was the dopest bass player who ever lived.
So, really, I just try to be the best guitar player I can be - not the best female guitar player, not the best 'X amount of years' guitar player, or whatever - just the best guitar player.
My drummer, bass player, and guitar player sing backgrounds. They play and sing. I can sing all the harmonies, but I can't do it alone.
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