A Quote by Jimmy Iovine

Dylan captured what was on a million minds and turned it into poetry. With 'Blowin' in the Wind' or 'The Times They Are A-Changin',' he set a whole new standard. — © Jimmy Iovine
Dylan captured what was on a million minds and turned it into poetry. With 'Blowin' in the Wind' or 'The Times They Are A-Changin',' he set a whole new standard.
I suspect many readers might associate [Bob Dylan] with one of the shortest phases of his career, the time from 1963 to '65 when he wrote his most famous "protest songs," like "Blowin' in the Wind" and "The Times They Are a-Changin.'"
How many roads must a man walk down Before your can call him a man? . . . The answer, my friend, is blowin' in the wind, The answer is blowin' in the wind.
How many times must a man look up Before he can see the sky? Yes, 'n' how many ears must one man have Before he can hear people cry? Yes, 'n' how many deaths will it take till he knows That too many people have died? The answer, my friend, is blowin' in the wind, The answer is blowin' in the wind.
I've always looked at famous actors and hope that once they get a part that they have success in, they would reprise it every few years in the way a pop singer will reprise their hits. Like Bob Dylan singing 'Blowin' in the Wind' until he's fed up with it, finding different ways of doing it.
But, in the end, even a song that's as politically bland as Blowin in the Wind, you probably wouldn't get up and sing that now, whereas some of Bob Dylan's love songs that were contemporary with that, like say Girl from the North Country, you can still get up an play now.
Bob Dylan's 'Blowin' In the Wind' was written into the script of 'Article 15.' It was the only song I wanted in my film. It encapsulates the spirit of exploration and salvation that my hero Ayushmann Khurrana goes through. I love the song's lyrics, especially 'How many roads must a man walk down before you call him a man? '
The New York Times will tell you what is going on in Afghanistan or the Horn of Africa. But it is no exaggeration that The New York Times has more people in India than they have in Brooklyn. Brooklyn is a borough of two million people. They're not a Bloomingdale's people, not trendy, sophisticated, the quiche and Volvo set. The New York Times does not serve those people.
There's one of my new poems actually - is a good example of where my poetry has ended up. My earlier river poetry was more like a cross between Shelley and Dylan Thomas.
The one important thing you do as boss is you set the standard. The minute you go in and say 'we'll let it go this time,' you set a new standard, which is lower. So you cannot do that.
The answer is blowin' in the wind.
Your old road is rapidly aging. Please get out of the new one If you can't lend your hand, For the times they are a-changin'.
Sometimes an answer not yet blowin' in the wind is stirring in the breeze.
I learned early in my career that if you see something that is not to standard or not within the law, and you ignore it, you've set a new standard, and it's lower.
I've grown up on Bob Dylan and all that, but there was a certain standard set up by people before 1955.
You can hear the seven sins Blowin' through the ghetto wind.
When the New Yorker turned down work, they turned it down in such an elaborately gentlemanly way making apologies for their own shortsightedness. Undoubtedly it was their fault but somehow for some reason this fell short of the remarkably high standard that you by your own work have set for yourself. They had a way of rejecting my work that made me feel sorry for them somehow.
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