You are the song of every bird, you are the poet's every word, every artist's picture, every writer's play.
Every song that is a Hopsin song, I 100 percent made it. Nobody helped me. There was no producer to say, 'Hey, put the beat like this... ' It was all me. If the song was wack, then the song was wack. If it's dope, it is what it is.
I suppose the biggest thing I learned is that I'm in it for the right reasons. I love my job as much now as when I first began. I still feel fully invested in every audition, every job - large or small, every appearance, every meeting with every fan.
So he was opening night... I was out of a job, and I'd been to every producer in Hollywood trying to get a job singing. But nobody wanted to know me.
Every artist has the song where they say, 'I wish I could have written a song as good as this,' but they don't feel like they've done it yet. It pushes you to evolve.
Ideas Are The Lifeblood Of Business. Capture Every Fleeting Idea And Drive For Change.
I think what's universal is the idea of auditioning. It's something that you do in every kind of job market. You audition every time you go on a date, you audition at a job interview, and it's always about trying to put the best version of yourself forward and seeing what sticks and what doesn't.
A song is composed of music and lyrics: 50 percent is the producer, 50 percent is the artist. So, I'm responsible for 50 percent. All I know is that I have to do my job, and I have to do it well. And he has to do the same.
In every idea of genius or in every new human idea, or, more simply still, in every serious human idea born in anyone's brain, there is something that cannot possibly be conveyed to others.
I'm inordinately proud of Smash, on so many levels. The complexity of producing that show, every week, is just incredible. As a television producer and as a Broadway producer, which I once was, I am in awe of what we can do on that show, every week.
I love being a producer, and I think I essentially still operate as a producer even though I now have control of marketing and the ability to green-light shows - something every producer wants but that they don't get!
My album is called 'Zero to Infinity' and none of my songs are going to have cheap, dirty lyrics. Every song, in a way, is a women empowerment song. Every song, even if it's a dance track, you'll be dancing on it, but it's the right thing.
I realized that I wanted to get better in every way. As a person, as a friend, as a songwriter, as a musician, as an artist, record producer, you name it.
It is to the real advantage of every producer, every manufacturer and every merchant to cooperate in the improvement of working conditions, because the best customer of American industry is the well-paid worker.
Being able to hear an artist and emulate them has been a huge part of being successful as a producer and co-writer. I think it's a problem when a producer comes in to work with an artist, and you can't hear the artist as well anymore. It's very important to me to be invisible.
Every artist, every scientist, every writer must decide now where he stands. The artist must take sides. He must elect to fight for freedom or for slavery. I have made my choice. I had no alternative.