A Quote by Jimmy Kimmel

I did not have any delusions of grandeur as a kid. — © Jimmy Kimmel
I did not have any delusions of grandeur as a kid.
I know when I'm bad, I know when I'm good, and I know when I'm everything in between. I don't have any delusions of grandeur or delusions of failure. In terms of my work, I've got a pretty cold honest eye.
I want to run for the Senate from Tennessee. Not now, but when I'm 50, when music dies down a little bit. I know lots of artists and actors have those delusions of grandeur, but ever since I was a kid, it's been of interest to me.
I don't have any delusions of grandeur. I just want to make music that doesn't make me bored.
I might have some delusions of grandeur.
Many people have delusions of grandeur but you're deluded by triviality.
I'm trying to consciously evolve myself. I have no delusions of grandeur.
What is man? He's just a collection of chemicals with delusions of grandeur.
Maybe science is just magic with delusions of lack of grandeur.
Delusions of grandeur make me feel a lot better about myself.
World leaders and major political figures have often had delusions of grandeur.
I am trying to change hip-hop music because I do feel there are places people can go with production and the structure of an album that they haven't gone yet. But, like I said, I don't have any delusions of grandeur. I just want to make music that doesn't make me bored.
I'm not a comedian. I'm what you call a good, old-fashioned working actor who has had delusions of grandeur for my entire career and has known what I want to do.
The United States were a 35-year-old man, I think he'd be in a mental institution. Violent tendencies - delusions of grandeur - medicate heavily.
Such delusions of grandeur to think that a God with a hundred billion galaxies on his mind would give a tuppenny damn who you sleep with, or indeed whether you believe in him.
The capacity for people to kid themselves is huge. Living on illusions or delusions, and the re-establishing of these illusions or delusions requires a big effort to keep them from being seen through. But a very old idea is at work behind our current state of affairs: enantiodromia, or the Greek notion of things turning into their opposite.
To express himself well, the artist should be hidden. The trouble is that if an artist knows he has genius, he's done for. The only salvation is to work like a labourer, and not have delusions of grandeur.
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