A Quote by Jimmy O. Yang

I understand the whole constant foreigner stereotype, but for me it's important to portray immigrant characters like Jian-Yang and Danny Meng with humanity. — © Jimmy O. Yang
I understand the whole constant foreigner stereotype, but for me it's important to portray immigrant characters like Jian-Yang and Danny Meng with humanity.
But I try to play everything very authentically, even if it is an accented immigrant, Jian Yang, that I play on 'Silicon Valley.'
The important thing is for the characters to feel real, and to be given the humanity they are due. That granting of humanity is what separates a full portrait from a stereotype.
Immigrant characters now are getting much more well-rounded, and they have personalities, which is important because we do need to portray immigrants in a humanizing way.
It's our job as actors to make it look like it's not manufactured. If you have two actors who understand their characters - and therefore what they are trying to portray - then all they need to do is be the characters and there's a chemistry there.
America is also the nameless foreigner, the homeless refugee, the hungry boy begging for a job and the black body dangling on a tree. America is the illiterate immigrant who is ashamed that the world of books and intellectual opportunities are closed to him. We are all that nameless foreigner, that homeless refugee, that hungry boy, that illiterate immigrant and that lynched black body. All of us, from the first Adams to the last Filipino, native born or alien, educated or illiterate-We are America!
In terms of my relationships with a lot of the adult characters, when I was working with Harrison, it wasn't like a verbal agreement, but we both understood that because there was this constant tension between our characters, we couldn't say "Cut" and start acting normal. We had to keep an essence of that relationship in our characters off screen which is really important.
I like complex characters. I've been very, very lucky to portray, in these past three years, characters that are strong and fragile at the same time. It's those characters that I'm looking for. In the last year and half I played three different religions, and that allowed me to educate myself so much.
What I love about the filmmakers that I mentioned [Danny Boyle,Leo Carax], is that it's visual but it's also, you see that the characters are the most important thing. The actors are the most important thing.
The Tao gives birth to One. One gives birth to yin and yang. Yin and yang give birth to all things... The complete whole is the complete whole. So also is any part the complete whole... But forget about understanding and harmonizing and making all things one. The universe is already a harmonious oneness; just realize it.
The characters I portray are an extension of what I've seen, heard, or read, and so what you see in my films are how I understand life.
I'm portraying out characters, I'm portraying femme characters, characters that are really outside of the box. I never thought I would get that opportunity to portray those characters at all, much less have a career that I have.
I try to get roles that challenge me in what I can do and who I think I can portray. For me, it's about creating characters with really fascinating stories, because that's what I like to watch on TV.
As someone who is non-binary gender identifying, I feel a particular responsibility to portray members of my community on stage and on screen, not only as fully fleshed-out characters who are integral to the plot, but as characters whose gender identity is just one of many parts that make up the whole person.
I'm interested in history because it's a discipline that requires a lot of effort from the imagination. You need to put in a lot of imaginative effort to figure out how people lived in an era that is not yours. And in that understanding of people from a different era, I feel, is an important gateway into humanity. Because you understand human behavior. In order to understand humanity, history is important.
I'm playing my first urban character in 'Thirudan Police.' It's an important film because I'll be breaking the stereotype that I'm only fit for rural characters with this role.
You have to know the human condition to get that many people to all respond at the same time to the same subject. You gotta understand humanity in order to portray it.
This site uses cookies to ensure you get the best experience. More info...
Got it!